Showing posts with label God. Show all posts
Showing posts with label God. Show all posts

Wednesday, February 20, 2013

Marcella Althaus-Reid: Queer theology pioneer


For a new version of this article, click this link to Qspirit.net:
Marcella Althaus-Reid: Queer theology pioneer

Marcella Althaus-Reid

Marcella Althaus-Reid was a queer theologian whose controversial books include “Indecent Theology” and “The Queer God.” Born in Argentina, she became the first woman appointed to a chair in the School of Divinity at the University of Edinburgh, Scotland in 2006. She held that post when she died at age 56 on this date (Feb. 20) in 2009.

Althaus-Reid (May 11, 1952- Feb. 20, 2009) was baptized as a Roman Catholic and grew up in Buenos Aires. She earned her first theological degree there from ISEDET (Instituto Superior Evangelico de Estudios Teologicos), Latin America’s renowned center for studying liberation theology, which emphasizes God’s “preferential option for the poor.”

Next she gained recognition for working on social and community projects in the slums of Buenos Aires. As she continued her studies, Althaus-Reid applied the principles of liberation theology to women and sexual minorities, including LGBT people.

Her first book, “Indecent Theology,” was published in 2000 and established her international reputation as a self-proclaimed “indecent, Latina, bisexual theologian.” The book challenges the sexual oppression behind traditional Christian concepts of decency and introduces theology rooted in the context of people whose sexual freedom has been limited. In 2003 she wrote “The Queer God,” in which she aims to liberate God from the closet of sex-negative Christian thought and embrace God’s role in the lives of LGBTQ people.

According to her obituary in the Herald Scotland, Althaus-Reid was a member of Moderator Nancy Wilson’s advisory theological team in Metropolitan Community Churches and felt at home in MCC’s Edinburgh congregation although she was formally a member of the Quakers and the Church of Scotland.

Her writing style is dense and her books continue to be controversial, even among LGBT people of faith. But nobody denies that Althaus-Reid took risks to raise important issues based on queer life and spirituality.

Her originality and flashes of insight are expressed in the following quotation from “The Queer God”:

“Our task and our joy is to find or simply recognise God sitting amongst us, at any time, in any gay bar or in the home of a camp friend who decorates her living room as a chapel and doesn’t leave her rosary at home when going to a salsa bar.”

___
Links to books by or about Marcella Althaus-Reid:

Indecent Theology: Theological Perversions in Sex, Gender and Politics

The Queer God

From Feminist Theology to Indecent Theology

Liberation Theology and Sexuality

Dancing theology in fetish boots: Essays in honour of Marcella Althaus Reid

More books by Marcella Althaus-Reid

La teología indecente: Perversiones teológicas en sexo, género y política

Il Dio queer


___
Related links:

"Marcella Althaus-Reid: Saint of a sexually embodied spirituality" by Hugo Córdova Quero (Jesus in Love)

Prof Marcella Althaus-Reid obituary and memorial page: Light a candle or add your own tribute

Remembering Marcella Althaus-Reid, “Indecent theologian” (Queer Saints and Martyrs - And Others)

En La Caminata: Remembering Marcella Althaus-Reid” by Alejandro Escalante (Indecent Theology blog)

___
This post is part of the LGBTQ Saints series by Kittredge Cherry. Traditional and alternative saints, people in the Bible, LGBTQ martyrs, authors, theologians, religious leaders, artists, deities and other figures of special interest to lesbian, gay, bisexual and transgender and queer (LGBTQ) people and our allies are covered.

Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.

Sunday, June 03, 2012

Trinity Sunday: Gay Passion of Christ series ends

24. The Trinity (from The Passion of Christ: A Gay Vision) by Douglas Blanchard

“The grace of the Sovereign Jesus Christ and the love of God and the communion of the Holy Spirit be with you all.” -- 2 Corinthians 13:14 (Inclusive Language Lectionary)

An angelic figure blesses two men holding hands in “The Trinity,” the last image of 24 paintings in “The Passion of Christ: A Gay Vision” by Douglas Blanchard. The painting can stand alone to affirm the holiness of gay couples, but it also serves as a meditation on the Christian Trinity: one God in three persons. Churches celebrate the Trinity on Trinity Sunday, which is today (June 3) this year. The trio gathers around a table set with milk, honey, and fruit, references to the Promised Land. The man draped in red reaches toward the viewer, inviting us to join them in the sunny garden. An arch in the background hints at the gate of heaven.


For a new version of this article, click this link to Qspirit.net:
Trinity Sunday: Holy Spirit blesses same-sex couple as Gay Passion of Christ series ends

“The Trinity” shows the transformation in Jesus (and the viewer) after experiencing Christ’s Passion. We move from the dark prison of the first painting to a bright land of promise, out of the closet, into the streets, and on to holy bliss. The artist has said that he intended this to be “a little glimpse of salvation, of the reward of the faithful.”

The winged woman in the golden robe is the same Holy Spirit who arrived in the previous painting. Viewers will be forgiven for wondering which man is Jesus. Blanchard, who is so adept at painting individual faces, gives the same face to all three, even the female Holy Spirit. The artist does this on purpose to emphasize the three-in-one nature of God. BOTH men have haloes and marks of crucifixion on their wrists.

One clue to their identities comes from the way the figures direct their attention. Both the Holy Spirit and the man in blue turn to look at the man in red. Their body language suggests that he is Jesus, the focus of this series, the one who just completed his heroic Passion journey. Like Jesus in the first painting of this series, the man in red gazes straight out from the image, meeting the eyes of the viewer His upper torso is naked, revealing the wound in his side and a radiant, muscular body. Surely this man is Jesus.

The Bible often says that Jesus will ascend to heaven and sit at the right hand of God. By that reckoning, the man in blue must be God, but he is not the usual Father figure of traditional Trinitarian imagery. He doesn’t look like “the Lord” and certainly not like Jesus’ father. In Blanchard’s universe, God’s identification with humanity is so complete that he and Jesus both share the crucifixion wounds. God and Jesus are identical young lovers in a mystic same-sex marriage. Mission accomplished, they sit together side by side in radical equality. As the historical Christian creeds say, they are “of one substance” and “coeternal, and coequal.”

They wear colors that reinforce the Trinity concept. Their red, blue and yellow robes are the three primary colors that, when mixed, create the full spectrum of white light. Red, blue and yellow flowers blossom around them. These are common, garden-variety plants: geraniums, irises -- and dandelions! Even weeds are welcome at the feet of Christ. The natural setting and generic robes give it a timeless quality, but there are hints of contemporary life in the glass pitcher and honey jar. The man on the right wears a modern t-shirt under his blue robe.

The holy gay wedding imagery is especially revolutionary because of its placement in the Blanchard’s Passion sequence. After the Ascension and Pentecost, the final position normally goes to the Last Judgment. Traditional images show Jesus sending sinners to hell and the righteous to heaven. Conservative Christians like to imagine homosexuals among the damned. But Blanchard eschews the crime-based model. He found a model for this painting in a separate branch of art history: Andrei Rublev’s great Byzantine icon “Trinity,” which shows the three angels at Abraham’s table. Blanchard’s Passion ends not with judgment, but with love. Jesus and God are not on thrones and they are not judging anybody. This too has a Biblical foundation. Roman 8:34 says, “Who then will condemn us? No one -- for Christ Jesus died for us and was raised to life for us, and he is sitting in the place of honor at God’s right hand, pleading for us” (New Living Translation).

The symbolism of this painting can be better understood by considering it as a pair with the first painting, Son of Man. The opening image is also a kind of Trinity. The two paintings that start and end the series have much in common. Unlike the rest of the series, their titles are theological concepts. Both have a disjointed sense of time, mixing modern and ancient dress. Both show Jesus gazing directly into the eyes of the viewer. The first and last images are brackets or bookends that enclose and uphold the thrilling account of events in Christ’s life.

The term “Trinity” is never used in the Bible, although it is implied. The Trinity is admittedly a mystery, which naturally makes it rather queer. The Trinity has inspired queer theologians to reflect on the omnigendered or genderqueer nature of God, encompassing both male and female as in Blanchard’s paintings.

Understanding of Christian symbolism is not necessary to enjoy this painting. Any group of three can be a trinity. A lot of LGBT people (and others) just plain like “The Trinity,” without seeing it as Christian at all. For example, it was chosen to illustrate the concept of gay friendship on the cover of White Crane Journal: Gay Wisdom and Culture in summer 2007. The painting ends the series as a kind of blessing or benediction, encouraging viewers to carry the vision onward and live with passion in every sense of the word.


“So then the Sovereign Jesus, after speaking to them, was taken up into heaven, and sat down at the right hand of God.” -- Mark 16:19 (Inclusive Language Lectionary)

What is the gay vision of heaven? The Holy Spirit inspires each person to see visions of God in his or her own way. Look, the Holy Spirit celebrates two men who love each other! She looks like an angel as She protects the male couple. Are the men Jesus and God? No names can fully express the omnigendered Trinity of Love, Lover, and Beloved… or Mind, Body, and Spirit. God is madly in love with everybody. God promised to lead people out of injustice and into a good land flowing with milk and honey. We can travel the same journey that Christ traveled. Opening to the joy and pain of the world, we can experience all of creation as our body -- the body of Christ. As queer as it sounds, we can create our own land of milk and honey. As Jesus often said, heaven is among us and within us. Now that we have seen a gay vision of Christ’s Passion, we are free to move forward with love.

Jesus, thank you for giving me a new vision!

___
Related links:

Celebrate the Feast of the (Queer) Holy Trinity (Queering the Church)

The Genderqueer Trinity (Queering the Church)

___
This is part of a series based on “The Passion of Christ: A Gay Vision,” a set of 24 paintings by Douglas Blanchard, with text by Kittredge Cherry. For the whole series, click here.

Scripture quotations are from the Inclusive Language Lectionary, copyright © 1985-88 National Council of the Churches of Christ in the United States of America.

Thursday, May 17, 2012

Ascension Day: Jesus Returns to God (Gay Passion of Christ series)

22. Jesus Returns to God (from The Passion of Christ: A Gay Vision) by Douglas Blanchard

“As they were looking on, he was lifted up, and a cloud took him out of their sight.” -- Acts 1:9 (RSV)

A winged man carries Jesus skyward in “Jesus Returns to God” from “The Passion of Christ: A Gay Vision,” a series of 24 paintings by Douglas Blanchard. The loving couple seems to dance in a mystical homoerotic union. Jesus, shirtless and wearing blue jeans, swoons in the arms of someone who appears to be an angel. But a close look reveals that they both have crucifixion wounds on their wrists. Jesus is embraced directly by God!

Detail from "Jesus Returns to God"
“Jesus Returns to God” is Blanchard’s vision of the Ascension, the transitional moment when the resurrected Jesus left earth and was taken up into heaven. Churches commemorate the event with the Feast of the Ascension, a major holiday that comes 40 days after Easter (May 17 this year). Christian tradition emphasizes that the resurrected Jesus ascends bodily -- in the flesh -- up into the clouds of heaven. Therefore it is appropriate for this image to have a physical, erotic component, even though many viewers find it disturbing.

Beams of white light stream from God’s head in a sunburst so bright that it almost obliterates the blue sky. His wings look muscular, like God has to work hard to lift the dead weight of Jesus up from the earth. The wounds in Jesus’ wrists and feet were dark before, but now they glow like hot-pink jewels. This is the lightest painting in Blanchard’s series, dissolving into white at the top in stark contrast to the pitch-black panel of “Jesus Among the Dead.” Now the misty clouds even spill over the frame on the lower left. The position of their arms suggests a ballroom dance, perhaps a waltz, with God’s hand planted firmly on Jesus’ buttocks.

People tend to react strongly to this image. Some find it too sexual and are horrified by the thought of “God’s hand on my butt.” (At least God has no body below the waist here!) Others love the painting because it removes the shame of sexuality, showing same-sex love as holy. From this point on, Jesus is more visibly gay. He is also less natural and more supernatural.  With this image Blanchard’s series truly becomes a “gay vision” as the title proclaims. There is no longer any doubt about whether Jesus was simply a tolerant ally of queer people. The full revelation of his gay sexual orientation does not happen in his lifetime, but is disclosed in the afterlife by Blanchard. Some people wish the series stopped right before this image. Others would prefer it started here.

In Christian theology the Ascension serves to emphasize the reality of Jesus as both human and divine. It is seen as the consummation of God’s union with humanity. “Mystical marriage” is a separate Christian concept in which the love between God and people is compared to a human marriage, including the sexual ecstasy between bride and groom. Erotic union becomes a metaphor for union with God. Blanchard breaks new ground by combining the Ascension with the mystical marriage and a gay viewpoint, making this one of the most original paintings in the series.

God appears here for the first time in Blanchard’s series. He gives God some extraordinary attributes: He has wounds, wings, and the same face as Jesus. God with wounds is virtually unprecedented. It is rare to see a painting of God with wings, even though there are many Biblical references to humanity being protected or carried by God’s wings. Usually God and Jesus are shown as Father and Son, but Blanchard makes them look like gay lovers or the same person in two places, further emphasizing his theme of God in solidarity with humanity.

The mystical marriage and “Christ the Bridegroom” are rare subjects in art history, but the Ascension has been painted many times over the centuries.  Ascension images usually have two zones: a crowd of apostles watching from earth below and Jesus rising up into heaven above. Jesus is frequently shown with his right hand raised in a gesture of blessing. Sometimes just the feet of Jesus are shown as he disappears into the clouds. It is almost unprecedented to show only Jesus and God without the people below, as Blanchard does. A notable exception is “Ascension” by 20th-century surrealist Salvador Dali, which is dominated by the soles of Jesus’ feet as he flies upward.

“Jesus Returns to God” can stand alone as a gay-affirming vision of ecstatic union with God. The mixed response to this painting raises the issue of how artists can visually code Jesus as queer without being too literal. For some viewers, anything more than a subtle hint is too sexually explicit or reduces the mystery of Christ to a billboard. Others need a flagrantly out-and-proud Jesus to clearly say that God loves LGBT folk. Conservative Christians have made many LGBT people think of Jesus as their enemy. How far should an artist go to counteract the that? Blanchard strikes a balance here by showing Jesus as an ordinary man swept up in a homoerotic dance with God.


“As the bridegroom rejoices over the bride, so shall your God rejoice over you.” -- Isaiah 62:5 (RSV)

We can only imagine the bliss that Jesus felt when he returned to God. No words or pictures can express all the joy of a soul’s union with the divine, but some have compared it to sexual ecstasy or marriage. Perhaps for Jesus, it was a same-sex marriage. Jesus drank in the nectar of God’s breath and surrendered to the divine embrace. They mixed male and female in ineffable ways. Jesus became both Lover and Beloved as everything in him found in God its complement, its reflection, its twin. When they kissed, Jesus let holy love flow through him to bless all beings throughout timeless time. Love and faith touched, justice and peace kissed. The boundaries between Jesus and God disappeared and they became whole: one Heart, one Breath, One. We are all part of Christ’s body in a wedding that welcomes everyone.

Jesus, congratulations on your wedding day! Thank you for inviting me!

___
Bible background
Song of Songs: “O that you would kiss me with the kisses of your mouth!”

___
This is part of the series “The Passion of Christ: A Gay Vision.”

The Passion series features 24 paintings by Douglas Blanchard, with text by Kittredge Cherry. It is also available as a book and prints.

Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.


Monday, February 20, 2012

Marcella Althaus-Reid: Queer theology pioneer


For a new version of this article, click this link to Qspirit.net:
Marcella Althaus-Reid: Queer theology pioneer

Marcella Althaus-Reid

Marcella Althaus-Reid was a queer theologian whose controversial books include “Indecent Theology” and “The Queer God.” Born in Argentina, she became the first woman appointed to a chair in the School of Divinity at the University of Edinburgh, Scotland in 2006. She held that post when she died at age 56 on this date (Feb. 20) in 2009.

Althaus-Reid (May 11, 1952- Feb. 20, 2009) was baptized as a Roman Catholic and grew up in Buenos Aires. She earned her first theological degree there from ISEDET (Instituto Superior Evangelico de Estudios Teologicos), Latin America’s renowned center for studying liberation theology, which emphasizes God’s “preferential option for the poor.”

Next she gained recognition for working on social and community projects in the slums of Buenos Aires. As she continued her studies, Althaus-Reid applied the principles of liberation theology to women and sexual minorities, including LGBT people.

Her first book, “Indecent Theology,” was published in 2000 and established her international reputation as a self-proclaimed “indecent, Latina, bisexual theologian.” The book challenges the sexual oppression behind traditional Christian concepts of decency and introduces theology rooted in the context of people whose sexual freedom has been limited. In 2003 she wrote “The Queer God,” in which she aims to liberate God from the closet of sex-negative Christian thought and embrace God’s role in the lives of LGBTQ people.

According to her obituary in the Herald Scotland, Althaus-Reid was a member of Moderator Nancy Wilson’s advisory theological team in Metropolitan Community Churches and felt at home in MCC’s Edinburgh congregation although she was formally a member of the Quakers and the Church of Scotland.

Her writing style is dense and her books continue to be controversial, even among LGBT people of faith. But nobody denies that Althaus-Reid took risks to raise important issues based on queer life and spirituality.

Her originality and flashes of insight are expressed in the following quotation from “The Queer God”:

“Our task and our joy is to find or simply recognise God sitting amongst us, at any time, in any gay bar or in the home of a camp friend who decorates her living room as a chapel and doesn’t leave her rosary at home when going to a salsa bar.”

___
Links to books by or about Marcella Althaus-Reid:

Indecent Theology: Theological Perversions in Sex, Gender and Politics

The Queer God

From Feminist Theology to Indecent Theology

Liberation Theology and Sexuality

Dancing theology in fetish boots: Essays in honour of Marcella Althaus Reid

More books by Marcella Althaus-Reid

La teología indecente: Perversiones teológicas en sexo, género y política

Il Dio queer


___
Related links:

"Marcella Althaus-Reid: Saint of a sexually embodied spirituality" by Hugo Córdova Quero (Jesus in Love)

Prof Marcella Althaus-Reid obituary and memorial page: Light a candle or add your own tribute

Remembering Marcella Althaus-Reid, “Indecent theologian” (Queer Saints and Martyrs - And Others)

En La Caminata: Remembering Marcella Althaus-Reid” by Alejandro Escalante (Indecent Theology blog)

___
This post is part of the LGBTQ Saints series by Kittredge Cherry. Traditional and alternative saints, people in the Bible, LGBTQ martyrs, authors, theologians, religious leaders, artists, deities and other figures of special interest to lesbian, gay, bisexual and transgender and queer (LGBTQ) people and our allies are covered.

Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.

Saturday, August 06, 2011

Artist Wes Hempel paints gay spiritual struggles

“A New Beginning” by Wes Hempel

Is that a gay angel weeping? Gay spiritual struggles are suggested in the paintings of Wes Hempel, whose art helps LGBT people find our missing place in history.

The Colorado artist creates a sense of mystery by combining contemporary figures with historical elements, using the polished, realistic style of the past. His projects include “a re-visioning of what art history might have looked like had homosexuality not been vilified.”

Some of Hempel’s paintings address the clash between contemporary gay identity and religious tradition. Others imply gay experiences of sublime awe through nature, sexuality and, by extension, the One who created it all. The beauty of his style and subject matter reflects the holiness of human nature.

An excellent example is “A New Beginning” (above), which shows a young man kneeling in prayer while a nude angel weeps and a handsome man watches from heavenly clouds above. Hempel’s own statement on the painting raises more questions that it answers:

“It’s not clear what prayer is being offered by the kneeling youth, though in conjunction with the title, we might assume he desires a fresh start of some kind, a break with the past (represented by the recently excavated antiquities), forgiveness, perhaps, renewal. Other elements in the painting may hint that realizing such a change will not be easy. Is the angel standing beside the youth weeping? If so, are these tears of joy or dismay? The figure perched in the clouds -- ostensibly a representative of heaven -- looks down not at the praying youth, but rather off to the side. Is his expression one of concern? Compassion? Sadness? The tornado, literally a collision of opposing air masses, churns ominously in the background.”

Another mysterious gay encounter occurs in “Supplication” (below). Two idealized men interact, or purposely fail to interact, among the clouds in a setting that suggests heaven or antiquity. Supplication is a form of prayer, but is the supplicant begging a favor from another man -- or from a Christ figure? Is he asking to have his homoerotic desires fulfilled or removed? Are they lover and beloved, human and God, or two faces of the exact same man?

“Supplication” by Wes Hempel

Like a painter from the 19th century, Hempel sometimes uses nature as a metaphor for the divine. Two shirtless men cling together as they stagger through scenery of almost overwhelming majesty in “Rescue from the Sublime” (below).

“Rescue from the Sublime” by Wes Hempel

Hempel made the spiritual connection clear in a discussion of “Rescue from the Sublime” at the gay Mormon blog Invictus Pilgrim.
“I was thinking how the beauty of the world can be overpowering at times, and how we need help from each other in enduring it. I remember reading about people in the nineteenth century who were "soul struck" by scenic beauty, peaceful rivers, majestic mountains, etc. and would literally swoon. Imagine!

“And, of course, there's the larger metaphor that comes into play about the face of God and peering into the divine. Sometimes we need to be rescued from God. It’s a paradox, because we can’t not approach. We have to look and ask the questions, but we need each other's support in doing so. We have to rest in each other's arms ...”

Hempel puts a queer eye on art history in some of his earlier work. He replaces female sex objects with men in his queer versions of famous paintings. For example, Jean-Leon Gerome’s 1884 painting “Slave Auction” shows men bidding to buy a nude white woman. Hempel’s version, titled “Auction,” has a rope-bound male angel, genitals exposed, as the enslaved object of desire. This painting and many more can be seen at the artist’s website, weshempel.com. (Warning: nudity.)

Sometimes Hempel works on joint art projects with his longtime partner Jack Balas. A detailed interview about their collaboration in life and art is posted at Philip F. Clark’s blog Artpoint.
___
Special thanks to Toby Johnson for alerting me to the art of Wes Hempel in connection with the forthcoming novel “King of Angels” by Perry Brass.

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Sunday, June 19, 2011

Reimagining God the Father

Did the artist intend to show a gay Father God? God’s halo is a pink triangle, an LGBT symbol, in “Heavenly Father,” a stained glass window at St. Virgil Church, Morris Plains, NJ. Photo by Loci B. Lenar © 2010. 

Reimagining God the Father may lift the spirits of some LGBT people and our allies today (June 19), which happens to be both Father’s Day and Trinity Sunday.

Can God the Father be as gentle and caring as a mother? Is He like a gay father? Do LGBT people have unique ways of redefining fatherhood that can enlighten others? I have no definite answers, but I share the following resources on alternative and even queer ways to re-envision God the Father.

Today, on Father’s Day, I dare to consider the fatherhood of God again -- by reimagining what it means to be God the Father. I seek a Father God who is as warm and nurturing as a mother… or a gay father. Trinity Sunday is also a good time to re-evaluate God the Father because it celebrates the doctrine of God as Father, Son and Holy Spirit (or, in inclusive terms, Creator, Christ and Holy Spirit.)

Many people, myself included, have turned away from the traditionally masculine Father God who is cold, distant, strict and domineering. The concept of God the Father may be hopelessly poisoned for some people who were abused by fathers or father figures. I honor the need to find other images to build a loving relationship with the divine… and the need to find empowering new models of sacred fatherhood.

I came to spiritual maturity at a time when “God the Father” was a dirty word in my church. We needed liberation from the old male-dominated, top-down religion that oppressed women and LGBT people. We read feminist theologians such as Mary Daly, who wrote in Beyond God the Father, “If God is male, then male is God. The divine patriarch castrates women as long as he is allowed to live on in the human imagination.”

At my church we took the offensive and cut out the Father God from our Bibles and hymnals. Instead we used “inclusive language.” Male words were replaced with neutral words, so “Father” became “Parent” or “Creator.” Once in a while we allowed “Father” to return, but only if He was balanced by “Mother.”

After more than a decade of inclusive language, I find myself intrigued by God the Father for several reasons. First, the genderless Creator God has begun to seem cold and distant too. Female images of God or Goddess aren’t enough for me. And there are still plenty of flesh-and-blood fathers in need of spiritual role models.

Then there’s Jesus, my inspiration in so many ways. He often spoke of God as his father. When he prayed he called God “Abba,” an intimate, affectionate Aramaic word that is more like “Daddy” than “Father.” His loving father-son connection with God encourages me to look for new ways of understanding God the Father in hopes of deepening my own relationship with God.

Along the way I found the following materials that reimagine God the Father:
Family photos of gay fathers with their children
New Hymn: Warm Father God
Ancient Hymn: Milk of Father God
Native American Father Spirit art
and queer visions from literature, art and theology.

Gay fathers
Gay fathers are on the forefront of redefining fatherhood. I hope that their photos here will inspire people to see God the Father in liberating new ways.

I had a terrible time finding images to illustrate a nurturing God the Father. It proved to me the need to “reimagine” fatherhood itself, regardless of religious beliefs about God the Father. Finally I remembered the family photos of some loving gay fathers who are friends of the Jesus in Love Blog. They are two different a gay couples that adopted children. I contacted them and both families agreed to share their photos here.

A South African family with two dads! Michael Worsnip, left, and Leon Putzier are the fathers of Gabriel, 7, and Joshua, 9. They adopted their sons at the ages of 3 months and 5 months respectively. Michael has posted the story of their adoption on his blog Hell’s Teeth, where he also writes about LGBT religious art and much more.

Father-son bonding with Michael Worsnip, Gabriel and Joshua.

An Iowa family with two dads! Jon Trouten, back center, and his husband Mark Holbrook with their sons D’Angelo and Leslie. They are adoptive parents of one son and legal guardians of the other son. Jon writes about family life at Jon’s Blog. Among my favorite posts are:

Coming out to my son (This will make you laugh.)
Mother’s Day when you have no mother

Hymn: Warm Father God
Gender stereotypes about God are broken in “Bring Many Names,” a hymn by Brian Wren, one of the world’s best known contemporary hymn writers. This verse presents a fresh view of God the Father:

Warm father God, hugging every child,
Feeling all the strains of human living,
Caring and forgiving, till we’re reconciled:
Hail and Hosanna, warm father God!

Bonus: Other verses shatter age and gender stereotypes by singing the praises of “strong mother God” and my personal favorite, “old, aching God.” Click here for all the lyrics. Click here to hear it on video.

“Bring Many Names” appears in many modern hymnals. Wren is the author of “Hymns for Today.”

Hymn: Milk of Father God
God the Father is explicitly male AND female in a second-century hymn. Check out this mind-blowing excerpt from Ode 19 of the Odes to Solomon:

A cup of milk was offered to me,
and I drank it in the sweetness of the Lord’s kindness.
The Son is the cup,
and the Father is He who was milked;
and the Holy Spirit is She who milked him;
Because His breasts were full,
and it was undesirable that His milk should be ineffectually released.
The Holy Spirit opened Her bosom,
and mixed the milk of the two breasts of the Father…
The womb of the Virgin took it,
and she received conception and gave birth.

This appears in The Earliest Christian Hymnbook: The Odes of Solomon, translated by James Charlesworth, or online at this link.

Native American Great Father

The Trinity
by Father John Giuliani
What if God the Father is Native American, Black, Asian or Latino? If the Creator is going to be an old man, I’d rather see him as dark-skinned sometimes.

I especially like the Native American visions of the Creator as the Great Spirit, Wakan Tanka, Keeper of the Sky, and so on. Somehow they bring out a wiser, gentler side of the Father.

Father John Giuliani unites indigenous American and Christian imagery in “The Trinity,” shown here by permission The Great Father appears with a full headdress of falcon feathers in a halo of light. His open hands deliver the Son, a Christ figure who is a Sioux warrior. The Holy Spirit hovers between them in the form of a falcon, completing the Trinity. The Father, with his long, white hair flowing, seems androgynous and humble… a much-needed vision for our time.

Giuliani is known for creating Christian icons with Native American symbols, expanding the concept of holiness and honoring Native American Indians as the original spiritual presence on this land. His work is a prophetic sign celebrating the reconciliation of native and Christian peoples. Giuliani is also a Catholic priest and founder of the Benedictine Grange, a contemplative monastic community in Connecticut.

Charles Frizzell is another artist who does Native American spiritual art, including a Father-God figure called “Keeper of the Sky.” Click here and scroll down to see it on his website.

Father as Twin
In my “Jesus in Love” novels, Jesus starts out perceiving God the Father as an old man, but as Jesus ages they become identical. Here is an excerpt from Jesus in Love: At the Cross in which Jesus describes his prayer time in Gethsemane, shortly before his arrest:

“I raised my head and saw my Father sitting on a nearby log. When I was a child I thought He looked ancient and care-worn. He didn’t change, but I did. I had grown to look just like Him. We looked more like twins than a father and son. I went over and knelt at His feet. He steadied me with his kind gaze, then handed me the now-familiar gold cup….”

Queer Trinity?
The Trinity
by Douglas Blanchard
Jesus and God also appear to be the same age in “The Trinity” (at left) from “The Passion of Christ: A Gay Vision” by Douglas Blanchard.  Instead of Father and Son, they seem more like Lover and Beloved, which is another interpretation of the Trinity.  Click here for more about this painting.

The Trinity has inspired queer theologians to question God’s gender. The Holy Spirit is often presented as the female person of the Trinity, so that seems to make God into a transgender, omnigender or genderqueer -- not fitting the standard “male” and “female” duality. The following resources offer more queer theological reflections on the Trinity:

Celebrate the Feast of the (Queer) Holy Trinity at queeringthechurch.com

Gavin D’Costa’s chapter “The Queer Trinity” in Queer Theology: Rethinking the Western Body

The Queer God by Marcella Althaus-Reid.

The prayer formerly known as
“Our Father”
I close this reflection with a new version of the prayer that’s usually called the “Lord’s Prayer” or the “Our Father,” based on the first words of the standard translation. In inclusive language, we called it “the prayer that Jesus taught.” This refreshing version was written by Yvonne Aburrow (also known as Yewtree), a friend of the Jesus in Love Blog. She is a Unitarian and a Wiccan who blogs on spirituality at The Dance of the Elements.

O Genderless Engenderer,
Flame of life at the heart of all things,
Holy, holy, holy are your names.
Your republic of informed hearts is always within us and around us.
Your mysterious way unfolds before us
as matter and spirit dance together to create life.
May the finite tell its stories to the infinite
and may the infinite lend its everlasting peace to the finite.
May our hearts be open to forgiveness given and received,
and may we move accurately in harmony with all
and remain present in the now.
The republic of heaven on earth is all and each of us
reverberating with glory and power
in infinite space-time.
Amen.

Wednesday, April 27, 2011

22. Jesus Returns to God (Gay Passion of Christ series)

22. Jesus Returns to God (from The Passion of Christ: A Gay Vision) by Douglas Blanchard

“As the bridegroom rejoices over the bride, so shall your God rejoice over you.” -- Isaiah 62:5 (RSV)

We can only imagine the bliss that Jesus felt when he returned to God. No words or pictures can express all the joy of a soul’s union with the divine, but some have compared it to sexual ecstasy or marriage. Perhaps for Jesus, it was a same-sex marriage. Jesus drank in the nectar of God’s breath and surrendered to the divine embrace. They mixed male and female in ineffable ways. Jesus became both Lover and Beloved as everything in him found in God its complement, its reflection, its twin. When they kissed, Jesus let holy love flow through him to bless all beings throughout timeless time. Love and faith touched, justice and peace kissed. The boundaries between Jesus and God disappeared and they became whole: one Heart, one Breath, One. We are all part of Christ’s body in a wedding that welcomes everyone.

Jesus, congratulations on your wedding day! Thank you for inviting me!

___
Bible background
Psalm 85:10: “Righteousness and peace will kiss each other”

Song of Songs: “O that you would kiss me with the kisses of your mouth!”


Other resources
Jesus in Love: A Novel by Kittredge Cherry

EroticBodyOfChrist.org
___
Next: 23. The Holy Spirit Arrives

This is part of a series based on “The Passion of Christ: A Gay Vision,” a set of 24 paintings by Douglas Blanchard, with text by Kittredge Cherry

Click to go to the beginning
or view the whole series.

Scripture quotation is from Revised Standard Version of the Bible, copyright © 1946, 1952, and 1971 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.

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Wednesday, November 24, 2010

Out Christ / Rethinking Sin and Grace for LGBT People

“Sermon on the Mount” (from Ecce Homo) by Elisabeth Ohlson Wallin

“Rethinking Sin and Grace for LGBT People Today,” a liberating five-week series by Rev. Dr. Patrick S. Cheng, continues today with “the Out Christ.”

[Update: A new book based on this series, “From Sin to Amazing Grace: Discovering the Queer Christ” by Patrick Cheng, was published in spring 2012.]

Every week Cheng will present one of five models that arise out of the experiences of LGBT people:
1) Erotic Christ (sin as exploitation; grace as mutuality)
2) Out Christ (sin as the closet; grace as coming out)
3) Liberator Christ (sin as apathy; grace as activism)
4) Transgressive Christ (sin as conformity; grace as deviance)
5) Hybrid Christ (sin as singularity; grace as hybridity)

Cheng, theology professor at Episcopal Divinity School in Cambridge, MA, adapted the series for the Jesus in Love Blog based on his essay in the new book “Sexuality and the Sacred: Sources for Theological Reflection (Second Edition),” edited by Marvin M. Ellison and Kelly Brown Douglas.

Rethinking Sin and Grace for LGBT People Today[1]

Model Two: The Out Christ

By Patrick S. Cheng, Copyright © 2010

            The second christological model of sin and grace for LGBT people is the Out Christ.  The Out Christ arises out of the reality that God reveals Godself most fully in the person of Jesus Christ.  In other words, God “comes out of the closet” in the person of Jesus Christ; it is only through the incarnation, ministry, crucifixion, and resurrection of Jesus Christ that we understand the true nature of God (for example, God’s solidarity with the marginalized and oppressed).  Indeed, the notion of the Out Christ as the revelation of God is supported by Jesus Christ’s description in the Fourth Gospel as the logos or Word of God.

            Chris Glaser, the gay theologian and Metropolitan Community Church minister, has written about the Out Christ in his book Coming Out as Sacrament.  In that book, Glaser describes Jesus Christ as nothing less than God’s very own coming out to humanity:  “The story of the New Testament is that God comes out of the closet of heaven and out of the religious system of time to reveal Godself in the person of Jesus the Christ.”[2]

            For Glaser, God reveals God’s solidarity with the marginalized and oppressed of the world in Jesus Christ.  For example, God comes out as an infant who is born in “a strange town and in a land and culture dominated by a foreign power, the Roman Empire.”  God also comes out in solidarity with the oppressed through the ministry of Jesus, who “defends women and eunuchs and those of mixed race (Samaritans) and responds to other races (the Roman centurion, the Syrophoenician woman).”  In the crucifixion, God comes out by extending “an inclusive paradise to a crucified criminal.”  And finally, in the resurrection, God comes out as one who “lives despite human violence, a true survivor of human abuse and victimization.”[3]

Sin as the Closet

            If the Out Christ is understood as the One through whom God most fully reveals Godself to humanity, then sin – as what opposes the Out Christ – can be understood as the closet, or the refusal to reveal oneself fully to one’s families, friends, co-workers,  and other loved ones.  Not only does the closet prevent a person from truly connecting with others, but it has a corrosive effect on the self-esteem and well-being to the extent that she is constantly forced to keep her life a secret to others.

            Many LGBT people have written about experiencing the sin of the closet.  For many LGBT people of color, coming out to families and friends can be a particularly difficult process as a result of condemnation from theologically-conservative churches, cultural expectations of traditional gender roles, and the anxieties of bringing shame to their families and ethnic communities.  Furthermore, LGBT people of color often experience an additional closet – the ethnic closet – in trying to hide or downplay their minority status within the predominantly white LGBT community.

Grace as Coming Out

            By contrast, grace in the context of the Out Christ can be understood as the courage to come out of the closet, or sharing one’s sexual orientation and/or gender identity with others.  For LGBT people, the process of coming out can be understood as grace, or a unmerited gift, on the part of God.  There is no one correct pattern or single path to coming out.  Some people come out very early in life; others wait until much later.  For some people it is a slow and private process.  For others, it is a fast and public announcement.

            Regardless of how one ultimately comes out, the act of coming out reflects the very nature of a God who is also constantly coming out and revealing Godself to us in the Out Christ.  Coming out is a gift that is accompanied by other gifts such as self-love, the love for others, and the overcoming of shame and internalized homophobia.  The grace of coming out is not something that can be “willed” or “earned”; it can only happen as an act of grace from God.



[1] Copyright © 2010 by Patrick S. Cheng.  All rights reserved.  The Rev. Dr. Patrick S. Cheng is the Assistant Professor of Historical and Systematic Theology at the Episcopal Divinity School in Cambridge, Massachusetts.  This essay is adapted from his article, “Rethinking Sin and Grace for LGBT People Today,” in the second edition of Sexuality and the Sacred: Sources for Theological Reflection, edited by Marvin M. Ellison and Kelly Brown Douglas.  For more information about Patrick, please see his website at http://www.patrickcheng.net. 
[2] Chris Glaser, Coming Out As Sacrament (Louisville, KY: Westminster John Knox Press, 1998), 85.
[3] Glaser, Coming Out As Sacrament, 82-84.

Come back next week for Part 3: the Liberator Christ by Patrick S. Cheng.

Click here to see the whole series so far.

Editor’s note from Kittredge Cherry: The photo for this post, “Sermon on the Mount,” was taken in a famous cruising park in Stockholm with LGBT people from local leather clubs as models. “It was fantastic to walk with ‘Jesus’ to the photo spot. People were looking and a little shocked,” recalls photographer Elisabeth Ohlson Wallin in my book “Art That Dares.”

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Monday, October 25, 2010

It Gets Better: Message to LGBT Youth



“It gets better” is the theme of my new video message to LGBT youth.

I made the video as part of the It Gets Better Project, a new website where LGBT adults can share stories of hope with LGBT youth. Straight allies -- including President Obama -- also make messages of support there.

The project was founded in September by gay author Dan Savage in response to the recent suicides by gay teenagers who were harassed for their sexual orientation. It grew quickly, reaching 1,000 videos, 100,000 supporters and 10 million video views.

In my video I recall how mean boys yelled “lezzie” at me in school when I was growing up in Iowa. But even worse than the bullying was the loneliness. But life got better. I grew up and I’m still together with the wonderful woman who was my college sweetheart. We came out as lesbians to our families and on the job, and the world didn’t end. In fact, it got better! For me it also got better because I realized that there is a God, and God loves me just as I am. I became an openly lesbian minister and author.

Many GLBT youths can’t picture what their lives might be like as openly queer adults. The “It Gets Better” videos allow them to see with their own eyes that they can have a future with love and happiness.

I also signed the “It Gets Better” pledge: “Everyone deserves to be respected for who they are. I pledge to spread this message to my friends, family and neighbors. I'll speak up against hate and intolerance whenever I see it, at school and at work. I'll provide hope for lesbian, gay, bi, trans and other bullied teens by letting them know that ‘It Gets Better.’”

To take the pledge, see more videos or submit your own video, visit:
http://www.itgetsbetterproject.com/

See my video, click the image above or click here.

If you do make a video for the It Gets Better Project, please let me know and I will post it here too.

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Kittredge Cherry ends on a positive note in her “It Gets Better” video message