Showing posts with label queer spirituality. Show all posts
Showing posts with label queer spirituality. Show all posts

Sunday, December 02, 2012

Advent: Queer face of God revealed

“Rainbow Mysteries" photo by Kittredge Cherry

Today marks the first day of Advent, a time of expectant waiting for Christ’s birth. Advent celebrates the mystery of the Word made flesh -- an important concept in queer spirituality.

“This Advent I am reflecting on what it might mean for us as LGBTIQ people to give birth to, and to reveal to the world, the Queer Face of God in our time, and in our culture,” spirituality author Michael Bernard Kelly told the Jesus in Love Blog. He is the author of "The Erotic Contemplative" video/lecture series and Seduced by Grace: Contemporary Spirituality, Gay Experience and Christian Faith.

Kelly will lead an Advent retreat for gay men Dec. 7-9 at Easton Mountain, an interfaith, gay spiritual retreat center in upstate New York. As he was preparing for the retreat, he offered these Advent reflections for readers of the Jesus in Love Blog:

Can we have the trust, the surrender and the courage of Mary, carrying the Divine Word within us in silence and hope, waiting for Divine Love to gestate in our hearts, allowing our bodies, our souls and our life journeys to birth grace for the world? Just as the body of Mary gave flesh, blood and bone to Incarnation of God growing within her, can we, in every choice we make, in every word we say, in every act we perform, and in the surrender of our very selves, give flesh and blood to God’s Word of justice, of inclusion, of embodied joy, and of queer holiness? Can our queer lives become the very revelation of God’s love in our time?

This is the mystery and challenge of Advent – and the great wonder is, this is not a mighty, exhausting project that we have to plan and execute. Rather, this is all about allowing ourselves to become pregnant with God, saying the radical “Yes” that will allow the Holy Spirit to do her own work within us, and trusting utterly that love is always born, moment by moment and breath by breath, in the most unlikely of places and in the most hidden of hearts. May we feel the Divine seed stir within us this Advent and may we rejoice with the queerest joy, as Christ is born for us, through us, within us, and as us.

Another queer way to celebrate Advent is offered by Chris Glaser, a gay Christian minister, activist and author of LGBT spirituality books including Coming Out to God: Prayers for Lesbians and Gay Men, Their Families and Friends. Here is an excerpt from his “Rite for Advent,” published in Equal Rites: Lesbian and Gay Worship, Ceremonies, and Celebrations:

One: The closet may be a fertile place:
creativity bursts out of a lonely hell,
and from a closet fertilized with hope,
the spirit leaps from a monastic cell.

Many: Those born in darkness
have seen life.

One: Out of dark soil sprouts new life,
from darkness springs embodied hope.
Both stretch for the illumination
of the cosmic landscape.

Many: Those born in darkness
have seen life.

One: Dear God,

Many: We seek your Word embodied
in life rooted in fertile darkness.
In life stretching for illumination,
we await your transforming Word.


For more info on the Advent retreat for gay men, visit Easton Mountain Retreat Center (www.eastonmountain.org).
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This post is part of the LGBT Holidays series by Kittredge Cherry at the Jesus in Love Blog. The series celebrates religious and spiritual holidays, holy days, feast days, festivals, anniversaries, liturgical seasons and other occasions of special interest to LGBT and queer people of faith and our allies.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts



Tuesday, June 07, 2011

The Queer Spirituality of Lady Gaga

Lady Gaga inside pink triangles, from “Born This Way” video

By Patrick S. Cheng

Lady Gaga, the global pop music sensation, is known for her strong lesbian, gay, bisexual, and transgender (LGBT) following. Whether it’s due to her fabulous wardrobe and makeup, her visually stunning music videos, her strong statements in support of LGBT rights, or her androgynous aesthetic, Gaga has cultivated a dedicated LGBT fan base over the last few years.

With the May 23 release of her most recent album, Born This Way, Lady Gaga has shown that she is much more than just a queer cultural icon. She is also a queer spiritual evangelist who refuses to shy away from controversial religious topics. Indeed, the provocative lyrics of several songs in Born This Way challenge, or “queer,” a number of deeply-held theological beliefs.

For example, in her title track “Born This Way” (see video below), Lady Gaga queers the classical Christian notion of original sin. Instead of understanding human beings as being fallen at birth, Gaga strongly affirms the intrinsic goodness of all persons. According to Gaga, we are “all born superstars” and that “God makes no mistakes.” In Gaga’s words, “Don’t be a drag – just be a queen.” Despite being “outcast, bullied, or teased” – as many LGBT children and youth are today – we are called to love ourselves unconditionally.

In “Black Jesus † Amen Fashion,” Lady Gaga uses the symbol of the Black Jesus to disrupt our conventional thought patterns, theological or otherwise. According to Gaga, this song is about her experiences of moving to downtown New York City at the age of 19 and experiencing an entirely new way of thinking. By lifting up the Black Jesus, Gaga challenges our deeply-held assumptions about faith, which is precisely what Black liberation theologians have done since the late 1960s. In this song, Gaga proclaims that “Jesus is the new black,” and calls on the Black Jesus to “Work it.” She challenges us to embrace a new way of seeing, which should be just like putting on new clothes and “fashion.”

In “Bloody Mary,” Lady Gaga lifts up the divine feminine, which parallels what feminist theologians have done for decades in the face of patriarchal religious oppression. According to an interview in the UK’s New Musical Express magazine, Gaga said that “Bloody Mary” is about exploring both the humanity and the divinity of the biblical figure of Mary Magdalene. Speaking in the voice of Mary Magdalene in the song, Gaga vows to be strong – to the point of being superhuman – in the face of Jesus’ crucifixion. She says that “I won’t cry for you,” despite the fact that she is afraid of dying alone (“J’ai peur mourir toute seule”).

Finally, in the provocative song “Judas” (see video below), Lady Gaga challenges the traditional demonization – or scapegoating – of Judas Iscariot. Although Judas is normally seen as the ultimate betrayer of Jesus Christ, Gaga sings “I’m in love with Judas” throughout the song. Although Jesus is Gaga’s “virtue,” Judas is the “demon” that she clings to. In the music video, Lady Gaga rides with the leader (that is, the Christ figure) of a 12-member motorcycle gang. However, Gaga is attracted to another biker, the Judas figure. Gaga has the chance to shoot Judas, but she does not do so. Instead, Gaga is stoned to death by those around her.

As I have written elsewhere, “Judas” reminds me of the second-century gnostic Gospel of Judas. According to that non-canonical gospel, Judas is actually the most loyal of the twelve apostles. He is the only apostle who truly understands Jesus’ mission. That is, Judas is simply following Jesus’ command by turning him over to the authorities. As such, Judas is the but-for cause of our salvation! For me, the song “Judas” challenges us to rethink our assumptions about salvation and to examine more closely the ways in which our faith traditions often scapegoat the “other,” including LGBT people.

In sum, Lady Gaga’s new album, Born This Way, is an exciting new expression of queer spirituality. Hopefully it will provoke much discussion among LGBT theological, religious, and spiritual enthusiasts in the weeks and months to come.

* * *

Patrick S. Cheng is the Assistant Professor of Historical and Systematic Theology at Episcopal Divinity School in Cambridge, MA. He writes for the religion section of the Huffington Post, and he is the author of Radical Love: An Introduction to Queer Theology. For more information about Patrick, see his website at http://www.patrickcheng.net/index.html.

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You might also enjoy:

Lady Gaga Walks the Weird Wall: Toby Johnson Reflects on the Goddess Mythology of BORN THIS WAY” by gay spirituality author Toby Johnson at the MyOutSpirit Gay Spirituality Blog

Erotic Christ / Rethinking Sin and Grace for LGBT People” by Patrick Cheng





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Wednesday, June 04, 2008

LGBT authors laugh, cry and get honored at Lambda Literary Awards

Malcolm Boyd and Kittredge Cherry share a smile at the Lammy Awards.

[Note: Guest blogger Audrey Lockwood captures the excitement of the Lambda Literary Awards ceremony in the following personal account. The event was held May 29, 2008 in West Hollywood. More photos at end.]

Both Kitt and I loved every minute of the evening. Kitt was nominated for a prestigious "Lammy Award" that honors gay and lesbian authors. Her book Art That Dares: Gay Jesus, Woman Christ and More was one of five books chosen in the LGBT Arts and Culture category. Unfortunately, the book didn't win, but just being there was huge! (For the list of winners, click here.)

It was an incredible celebration. There’s a photo of the two of us posing proudly in front of the podium with the Lammy Logo on it. The nation's very best and brightest stood at that podium last night, and it was more than a dream come true to be there.

LGBT authors laugh, cry and get honored at Lambda Literary AwardsIt was fantastic to be in an auditorium with all the most famous and sacred gay and lesbian authors of all time! Magic was in the air last night. At the at the pre-awards reception, I went up to the bar and got a lovely glass of red wine...included in the ticket price surprisingly, and put a $5 tip on the counter. The gay barman's face lit up, and I smiled to myself as the other gay men put down $1 bills. Single handedly, I was going to put to rest the stereotype of the "cheap" lesbian tippers!!!

One of the great things about an LGBT awards event is that you’re presented with new problems. Like what do you do when a drag queen sits down two rows ahead of you and is blocking your view with a fabulous feather headdress? You gotta love it!

It was a room full of our peers, and the entire ceremony was a real vision of equality of men and women. Not the fake equality that men believe exists, but real. Kitt and I had been worried previously when we had seen almost all men listed as the entertainment. There was a little bit of "penis humor" as we call it, but not overdone and very muted. A lesbian comic troupe called "The Gay Mafia" performed a lesbian science fiction scene that was hysterical, and our sense of humor was for once not overshadowed by gay male obsessions.

So this evening was a chance to see what lesbians with power and stature are really like. Everyone was friendly and loving. We were amazed, no snobbishness, no standoffishness, and there was actually a lot of older lesbian and gay male representation there. Youth was there, but not taking over or being overly queeny. It was thoughtful people, quietly generous. No pornography, no sexual display, just the cream of the crop of gay and lesbian men and women of letters.

Nobody was competitive, and everyone was really happy to be honored even if they didn't win. All the local authors from the Lammy finalists’ reading in West Hollywood rooted for each other. We clapped and yelled when each of us was announced. None of them won, but we all were happy to see each other again. Lots of great authors got standing ovations.

There was a deeply moving "In Memoriam" slide show, which had all the authors who had died in the past 20 years -- 1988 to 2008, since it was the 20th anniversary of the Lammys. Everyone was holding back tears and trying to be dignified as all our heroines’ and heroes’ faces came up on the screen. I saw this on the program, but it took me a while to figure out the whole thing was about the past 20 years, not the last year. I knew almost every author who had died. I'd either read their books or met them in person, and I was wildly clapping for almost every picture of an author. Somehow, the very essence of that person came out to us on that giant white screen; it was as if they were all there in spirit with us. I was shocked to feel this, and hadn't experienced this since the dark days of the AIDS epidemic when all our friends were dying, and when Kitt got her ministry training doing funerals.

Even Valerie Solanas came on screen, and I think I was about the only one in the audience who clapped for her. (She was the radical feminist who wrote "Scum Manifesto" and who shot Andy Warhol). There were a lot of authors on the slide show, who I could tell few people in the audience had ever read or even knew about.

Was there a moment I will always remember? Well, one of the moments came as Charles Flowers, the executive director, got on stage. He was magic and gracious and kind; a great gay man of style and passion. You could see him struggling not to cry when he mentioned how he never cries at the Oscars for the "In Memoriam" section, but how he was crying over this. Suddenly the room was totally quiet... It was a stunned and sacred silence as we all honored our beloved dead. All of us know how hard it is to do that without crying. In a quiet moment of recognition, I realized I felt the same way. This was our people and our culture and our greatest heroes, and you could truly feel, instead of being the distanced outsiders indifferent to the straight world!

Another moment of this sacred silence came upon the room when Katherine V. Forrest presented a Pioneer award to Ann Bannon, who wrote lesbian novels in the 1950s, and whom every lesbian of a certain age has read and revered. Her famous lesbian character Beebo Brinker lives on as legend. Katherine was struck silent as well. People waited, she struggled not to cry, she reached down for a bottle of water and recovered enough to say that Ann Bannon’s books had saved her life.

Ann Bannon is this lovely women, probably in her 60s or 70s who had a fabulous smile that lit up the room. When we went up later with congratulations she seemed to know Kitt. One author always recognizes another I guess!

These silences that came upon the room were incredible; the deepest and most profound silence you have ever heard. This is what a lot of people experience in churches I think, but I always feel nothing in those patriarchal homophobic places. This was the sacred space of authors, and gay and lesbian letters are perhaps the oldest gay and lesbian tradition that lives on that we know. Each author has a lineage to look back upon, a sacred history. Everything else in gay life might be relatively new, but writing is our forte.

Another Pioneer award went to Malcolm Boyd, who is going to be 85 years old. He’s one of the grand old gay men of letters. He's also is a revered Episcopal priest. In his acceptance speech, he said how precious it was to be recognized and honored. You could see the depth of his feeling, the 85 year old who dared to be brave, when almost his entire generation lived in closeted silence. He risked everything to come out as a gay man. Other gay men of his generation lived in fake marriages, they never ever did anything to begin a gay culture, they sat on the sidelines of history, but he had not!

Afterward, elegant desserts were served. Cream puffs and strawberry tarts. Kitt found fresh squeezed orange juice. I had the best cup of coffee in the world!! Only decaf was served, I guess they wanted to protect the poor hyped up authors from getting further jazzed that night!

We made quite the distinguished lesbian couple in our elegant suits. Kitt was her gray-haired and gray-suited best, I had on my dark blue suit and lighter blue vest. Usually we never fuss over what we wear, but somehow, this evening, we spent time discussing what looked good. We had become distinguished as the years have gone by, and everyone came up to us to talk. I took a photo of one of the Pioneer award winners, Malcolm Boyd, who has always been generous and wonderful to Kitt. She had his writing in Equal Rites, a gay Christian anthology she wrote many years ago. So I got a photo of the two of them together. Privately, when he, Kitt and I were talking, Malcolm said how deeply he felt to be truly honored by his peers. Christopher Rice was lovely, and we all happily posed for pictures together. He is the new president of Lambda, and Katherine V. Forrest was the outgoing president. Katherine was one of the great lesbian writers and I love her classic lesbian novel Curious Wine. She was kind and generous and spent quite some time talking to both of us.

John Morgan Wilson, my absolute favorite gay mystery writer, came right over and boy was he surprised to discover that I was one of his biggest Los Angeles fans!! I could talk about all his books. He created Benjamin Justice, the very first gay male hero with HIV. He told the story of his life, and I asked him about certain favorite passages.

Since I was the devoted "reader" all the authors loved me! And I had read all their books, and knew what to say, and how to comment on gay literature in general. I always managed last night to effortlessly say the right thing at the right time with the right person. As a devoted reader and person who has supported Kitt's writing career since 1975, and whose parents were writers as well, this was a group of people and a profession I deeply understood.

Kitt and I felt that at last our peers are there for us, and we are a part of this. Kitt's little book that could, that emerged out of inspiration made it all the way to the top of the gay and lesbian list. She had arrived! No foundations or academic institutions funded this book, and I don't even think it will make a profit. It was a labor of true inspired love! Art That Dares luckily found a gay publisher. No one else would touch this book, and even the usual anti-Christian bias of the gay world did not prevent it from being honored. Wow!

The ceremony itself is now 20 years old. All of us have worked so hard in our movement, and when you get to celebrate with your special literary peers, well as they always say "words fail me."

It's hard to put into words just how amazed we were, and how proud we felt of our entire little lesbian and gay community. We especially appreciate all the hard work, millions of hours, and pure gay heroism that the Lambda Literary Foundation displayed in helping make this a reality.

The level of professional care and graciousness are unmatched in the gay and lesbian world. The two of us have planned and been in so many gay and lesbian events over the last 25 years or so, that we really appreciate greatness when we see it.

There is so much more to say about the Lammys and all the wonderful people who were there. The organization has moved to Los Angeles, and I hope that somehow I'll be able to support it or go to the places I most love -- the worlds of gay and lesbian writers, the true creators, preservers, and the celebrators of a unique group of people, who came to consciousness AS A PEOPLE in the mid-20th century. Those people are still alive with us, just as all those authors we remembered are alive in their art forever.

Authors are about vision, and we are all a people supremely ahead of our time. But we are also a people who can live so completely in the present moment, so -- thank you Lambda Literary Foundation for bringing this about. And welcome to Los Angeles, the brave new world! How lucky we are to have you in our back yard!!

Kittredge Cherry, left, and Audrey stand at the Lammy podium where the world's best GLBT authors spoke at the 20th annual awards ceremony.

After the Lammys were handed out, authors relaxing at the dessert reception include, from left, John Morgan Wilson, Christopher Rice and Kittredge Cherry. Katherine V. Forrest, left, greets Audrey and Kittredge Cherry at the Lammy reception.



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Kittredge Cherry blogs at the Jesus in Love Blog and edits the Jesus in Love Newsletter on queer spirituality and the arts. She offers GLBT and progressive spiritual resources at JesusInLove.org.

Wednesday, December 12, 2007

Sex and spirit mix on new Jesus book cover


A homoerotic Christ on the cover of a new German book is sparking international debate as Christmas approaches.

The provocative cover appears on the German translation of Jesus in Love, my novel about a queer Christ.

The cover art by Berlin painter Alexander von Agoston shows a near-naked Jesus and John the Baptist rising from the water together after Christ’s baptism. The men’s genitals shine through their wet clothes. A shared halo affirms the union of body and spirit.

My book says that gay sexuality is holy to Christ and I’m a passionate promoter of queer spiritual art. However, even I thought the German image was too frankly erotic for a cover at first. Discussions with my German publisher, Edition EuQor changed my mind.

“German readers are used to seeing nudity on covers, much more than Americans,” my publisher told me. “Sure, the cover attracts attention. That’s what a cover is for.”

Gay-positive Christian images are needed now because conservatives are using religious rhetoric to justify discrimination against queer people. The cover goes all the way in showing that God loves gays. Jesus is completely comfortable in his skin. Now I’m sure that it’s the right cover for the German edition.

The German translation of Jesus in Love was released in time for Christmas by Edition EuQor, a start-up German press specializing in provocative books.

“When Jesus in Love was published in English, websites in Germany buzzed with excitement,” the publisher told me. “The idea of a bisexual Jesus seemed to fascinate Germans more than anyone else outside the English-speaking world. Soon Edition EuQor offered to do a German translation.”

Reactions to the Jesus in Love cover vary widely from delight to shock and disdain, even within the gay, lesbian, bisexual and transgender (GLBT) community.

The original English version of Jesus in Love was published in 2006 by AndroGyne Press with a more romantic cover drawing of Jesus and John wreathed in roses. Conservative Christians attacked the novel as blasphemy because it portrays a Jesus who felt sexual attraction to men. However, it received praise from literary critics and GLBT Christian leaders.

Mel White, founder of the GLBT Christian activist group Soulforce, endorsed the English version. “Kitt Cherry has broken through the stained-glass barrier,” White said. “This is not a prurient look at the sex life of Jesus, but a classic re-telling of the greatest story ever told.”

Theology professor Carter Heyward called it “a lovely, gentle, playful book.” Toby Johnson, author of “Gay Spirituality,” described it as “a wonderful, gay-sensitive, and delightfully ‘shocking’ reassessment of the stories of the old-time religion.”

What do YOU think of the new book cover? Please post your comments here or email them to kitt@JesusInLove.org.

Monday, December 03, 2007

Newsletter covers GLBT spirituality, art and books

Jesus in Love is launching a monthly e-newsletter about queer spirituality and the arts, including highlights from this blog and my other projects. Headlines in the December issue include:
  • Gay Jesus art sparks violence
  • See new videos on glbt rights
  • New vision statement for Jesus in Love
The new format includes color images and other cool features. It is being launched now as a Christmas gift from JesusInLove.org. We’re working with a professional newsletter service to provide info in an increasingly attractive, accessible way.
Sign up for our Email Newsletter
People are already sending enthusiastic responses to the first issue. “Very nice, sophisticated, uncluttered newsletter -- with some interesting info as well,” wrote one reader. “Impressive,” said another. I see it as a way to foster two-way communication, and I hope that readers will contact me with ideas and suggestions. I’m excited about taking Jesus in Love to the next level with this newsletter, and I look forward to keeping in better touch with all my supporters in the new year.
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At any time you can click a link at the bottom of the newsletter to unsubscribe in an easy, automated way. Please give it a try!

What's your vision? (Part 2)

Here is the new vision statement-in-progress for Jesus in Love. The new vision statement grew out of input from our supporters. We will continue to revise it based on your responses. Jesus in Love serves gay, lesbian, bi and trans (glbt) people who have spiritual interests, and our allies. We promote queer spirituality and the arts, with an emphasis on books and images. We believe that God loves all people, including sexual minorities. We believe that the creative process is sacred. We hope that the new visions, especially the gay Jesus, will free people to experience the divine in new ways and lead to a more just world. What do you think of our new vision statement? Please post your comments or email them to kitt@JesusInLove.org. A big thank-you to the many people who sent comments on our previous vision statement. Your vision and support are invaluable!

Thursday, November 01, 2007

Queer Christ novel gets sequel soon

Passio by Gary Speziale

Readers will get to experience the Passion of a queer Christ when my novel At the Cross is published in early 2008.

I’m in the final stages of proofreading the typeset galleys of At the Cross, the sequel to Jesus in Love. As I reread and revise the book for the last time, I feel that this second volume may be the better half because it includes the dramatic Passion narrative.

At the Cross should be available next year in time for Lent, the pre-Easter season when Christians reflect on Christ’s arrest, trial, crucifixion, death and resurrection. In 2008 Lent begins Feb. 6.

Development of the cover for At the Cross is also underway. The image above is a drawing by Gary Speziale, the openly gay New York artist who did the cover illustration for Jesus in Love. Gary and I hope that the cover of At the Cross will embody a similar spirit. Gary is one of the 11 artists that I profiled in my book Art That Dares: Gay Jesus, Woman Christ, and More.

Originally the two novels Jesus in Love and At the Cross formed one long manuscript, a fictional autobiography of a bisexual Christ. My editor at AndroGyne Press and I decided to split it into two separate books. Readers can choose to focus on Jesus’ upbeat early ministry in Jesus in Love, or to take the darker journey all the way to the cross and beyond.

A passionate Jesus stands up to religious leaders and pays the ultimate price in At the Cross. Speaking with today’s sophistication, Jesus reveals the erotic, mystical experiences that may have propelled his life, death, and resurrection in first-century Palestine. Love stories are interwoven with his Last Supper, arrest, trial, crucifixion, and resurrection, ending on Pentecost. Jesus transcends gender identity, sexual orientation, and ultimately death itself. He leads disciples of both sexes toward ecstatic union with God.

Thursday, October 25, 2007

Queering the Last Supper


Folsom Street Fair’s Leather Last Supper poster

A poster of Jesus and his disciples as “half-naked homosexual sadomasochists” sparked controversy recently at the Folsom Street Fair in San Francisco.

Under pressure from a media blitz orchestrated by Christian conservatives, Miller Brewing Co. asked to remove its logo from the poster (pictured above). U.S. House Speaker Nancy Pelosi was among those defending the image.

I was all set to issue a major news release promoting this latest addition to the global boom in queer Christ art. Right-wing Christians don’t own the copyright on Jesus! It’s important to create new images of God based on the experiences of gay, lesbian, bisexual, and transgender (GLBT) people.

However, the image itself made me stop and think.

I certainly endorse freedom of speech and gay culture photographer Fred Alert’s right to make the Leather Last Supper. But the image raises questions that go far beyond whether it’s OK for Jesus to be gay. One purpose of art is to inspire dialogue, and the Leather Last Supper can be a springboard for discussion about what it means to be queer and spiritual. I hope to hear comments from others on the following two questions:

1) Is it good theology?

I like seeing the disciples as contemporary leather folk. Of course, it’s not historically accurate, but it is true to the spirit of Jesus’ ministry. He welcomed everyone. During his lifetime Jesus was often criticized for eating with prostitutes and other outcasts, and some of these “sinners” became his disciples. The Leather Last Supper stands in the tradition of communion as a heavenly “love feast” where all are welcome.

What bothers me most about the leather Last Supper is that, as the Concerned Women for America put it, “The bread and wine representing Christ’s broken body and lifegiving blood are replaced with sadomasochistic sex toys.” In my view, Jesus was God-made-flesh, a total affirmation of the human body, sexuality included. But sex toys seem like a step away from the body, like inserting an artificial device between the direct contact of flesh on flesh. In the sacrifice commemorated by the Last Supper, Christ offered his own body, not a mechanical substitute. Even many queer Christians are offended by images like this.

The leather community and the GLBT community are two distinct categories with significant overlap. A press release from the Folsom Street Fair says that the image was not intended to be “pro-religion” or “anti-religion, adding that “many of the people in the leather and fetish communities are spiritual and that this poster image is a way of expressing that side of the community’s interests and beliefs.”

2) Is it good art?

I see the need for a wealth of queer spiritual images, good and bad, as we try to develop new images and set standards for them. A few people have criticized me for not having high enough standards in my book Art That Dares: Gay Jesus, Woman Christ, and More. So be it. I do try to promote queer Christian images overall in my book, blog and website JesusInLove.org. There aren’t enough spiritual images that speak to GLBT people, and I want to encourage artists to create more of them.

However, I also support the development of our own standards rooted in our own experience. For example, Australian gay theologian Rollan McCleary does pioneering work on setting criteria for queer spiritual art. On his blog he explores questions such as: “Where and when might there be a case for protesting that a line has been crossed and that a given production might reasonably be considered ‘offensive’ to people or, rather more importantly, ‘blasphemous’ by nature?”

I see a difference between the Folsom Street Fair poster and the images in my book Art That Dares. The book does include a photo of a traditional-looking Jesus being adored by queer leather folk, which is part of the Ecce Homo series by Swedish photographer Elisabeth Ohlson Wallin. Like the Folsom Street Fair poster, Ohlson Wallin’s photos use queer models to recreate historic masterpieces of Christ’s life. She even did her own version of the Last Supper using drag queens as models (pictured below), but maintaining the traditional bread and wine.


Last Supper by Elisabeth Ohlson Wallin

The meaning of an image is shaped by the artist’s intent and the context in which it is shown. Ohlson Wallin got angry when some Christians said AIDS was God’s punishment, so she created her drag queen Last Supper for a gay pride art exhibit. In contrast, the Leather Last Supper is a poster used to sell a leather festival and its sponsors such as Miller beer. I question whether it is ever appropriate to use Christ’s image for secular sales.

Some defended the Folsom Street Fair poster by pointing out that there are many other Last Supper parodies, featuring figures from McDonald’s to the Simpsons, from Sesame Street to Star Wars. A quick look at these suggests that they were done as artistic statements, not as advertisements. To me this surprising jumble of images suggests that queers aren’t the only ones struggling to reconcile spirituality with contemporary life.

I thank the creators of the Leather Last Supper for providing a focus for discussion and an image of how Jesus welcomes everyone, even those on the margins.

Friday, September 14, 2007

What is queer spirituality?



I created this blog as a place to discuss queer spirituality and the arts. I realized that more explanation was needed when I got an email from a straight ally saying:

I understand, a little bit, the current need to have, for instance, “queer spirituality.” But I want to say that every time I am faced with that “Keep out” sign (your blog's description means it's not for me), it makes it harder to feel like I can be in loving community with gays.

This comment inspired me to add the phrase “open to all” to this blog’s header.

Queer spirituality is indeed the focus of this blog and my website JesusInLove.org, but I always intended to welcome ANYONE to engage the subject, including straight people. It’s sort of like how I as a white woman was interested in African American literature and took a class where I was welcome to read and discuss it. Actually the word "queer" is considered to be relatively inclusive.

While “lesbian” and “gay” have specific meanings, almost anyone who feels different can identify as “queer.” The Wikipedia has an elaborate definition of queer that includes “asexual and autosexual people as well as well as gender normative heterosexuals whose sexual orientations or activities place them outside the heterosexual-defined mainstream.”

The use of the word “queer” has changed a lot in recent years, as I wrote in my coming-out guide, Hide and Speak. Here’s an excerpt:

The word “queer,” once a terrible insult, was reclaimed for popular use. The process began in 1990 when activists founded Queer Nation to force people to confront their homophobia. The group caused controversy even in the LGBT community by using such radical tactics as “outing” closeted public figures, staging public kiss-ins and using the in-your-face slogan, “We’re here. We’re queer. Get used to it.” Queers became so acceptable that universities started offering degrees in the new field of “queer studies.” In 2003, the term got the ultimate stamp of mass-market approval when a TV series called “Queer Eye for the Straight Guy” became a surprise hit.

One thing that’s queer about queer spirituality is that it defies definition. Spirituality is about personal faith, in contrast to the more institutional approach of religion. In my view, queer spirituality is an alternative to mainstream religion, rooted in the personal experience of LGBT people and anyone else who identifies as “queer.”

Anyway, you don’t even have to feel queer at all to read and make comments on this blog.