“Saint Ryan, Patron of Learning the Arts” by Tony O’Connell
British artist Tony O’Connell documents the sacred side of queer people and places. He takes photos of saintly moments among ordinary LGBT people and records his own pilgrimages to LGBT historical sites.
“My initial idea was an attempt to reclaim the idea of holiness as a gay artist,” O’Connell says. Based in Liverpool, he was raised in the Roman Catholic tradition, but has been a practicing Buddhist since 1995.
“The intention was to democratize the notion of sacredness and the process of canonization. We do not need the permission of anyone else to see perfection in each other,” he explains.
Since 1998 he has been photographing people with haloes formed by round objects from daily life: light fixtures, mirrors, windows, baskets, the sun -- and even life ring buoys. “The act of noticing the moment where a physical circle as a symbol of a halo was present is an artistic parallel to noticing those qualities in the real people themselves,” O’Connell says.
He started with portraits of himself with haloes, and then expanded to his partner and LGBT friends. Eventually he included straight allies and strangers as he took the halo concept to its logical conclusion. “The images are just examples of something that is present in them, in you, in me and in all,” he explains.
Religions traditionally use the halo to denote people of exceptional saintliness or perfection, implying that others are less worthy. “It strikes me as truer and more logical to recognize that every consciousness has the potential for some growth toward light, be that internal or external,” O’Connell says. “If only one could glimpse or even capture the fleeting instance of perfection, compassion and wisdom in ordinary experience which are easy to overlook. If such moments could be recorded on the snap-shot camera or the phone in the pocket, would anyone believe them?”
None of the saints in his photos have been recognized by the church yet. But O’Connell did convince famous LGBT activist Peter Tatchell to pose for a quick halo portrait after a lecture on the plight of LGBT people in Iraq.
LGBT rights activisit Peter Tatchell appears in “Saint Peter the Protector” by Tony O’Connell
In 2008 O’Connell began displaying the saint photos in churches and other small venues at exhibitions named “Perfectly Ordinary” and “Be in that Number.” Some churches complemented the images with Gregorian chants playing in the background and frankincense fragrance in the air.
O’Connell’s saint photos will be shown in America at the “Sacred Voices” exhibit at the Canton Museum of Art in Canton, Ohio from Dec. 5, 2013 to March 2, 2014. It features contemporary Christian, Jewish, and Muslim artists who are seeking to express their faith through their art.
“Prostrations at the Holy Places and Veneration to Our Martyrs (Stonewall Pilgrimage)” by Tony O’Connell shows the artist praying at the bar where the LGBT rights movement began.
Recently O’Connell began a new series on LGBT pilgrimages, which he does as performances recorded in photos. He travels to places of importance in LGBT history, treating the trip as a pilgrimage to the shrine of a saint. His first pilgrimage led to the San Francisco Metro station named after slain gay rights leader Harvey Milk. “The traditional Buddhist offerings for saints and Bodhisattvas are water, food, perfume, incense and flowers so I took them to his shrine and made prostrations,” O’Connell said.
Earlier this year he made a pilgrimage to New York City's Stonewall Inn, where rebellion against police harassment in 1969 launched the modern LGBT liberation movement. His next destination is Manchester, England. He plans to leave offerings on a memorial bench there dedicated Alan Turing, a gay computer scientist driven to suicide by attempts to “cure” his homosexuality.
In the future O’Connell plans to do icons as tributes to well known LGBT figures such as Milk, Turing and AIDS activist Larry Kramer.
The following images are selected from more than 200 saint photos taken by O’Connell. All of the saints in these pictures are openly lesbian, gay, bisexual or transgender. While the artist’s ultimate purpose is to show that sainthood is non-exclusive, the Jesus in Love Blog is highlighting only LGBT saints here in order to balance centuries of religious oppression against queer people.
Tony O’Connell honors a caring friend. Saint Antoinette and her partner Saint Lindsay helped the artist through the grief of losing his mother.
Tony O’Connell is a self-portrait of the artist on the way to Ellis Island. He stands back-to-back with another liberated being in the distance: The Statue of Liberty.
Tony O’Connell shows a friend who chose her own halo for this portrait on the waterfront in Liverpool.
Tony O’Connell shows the artist on the right with his partner Kevin. It is one of his rare diptych images of paired saints. The double-halo composition echoes a 7th-century icon of Saints Sergius and Bacchus.
This post is part of the Artists series by Kittredge Cherry at the Jesus in Love Blog. The series profiles artists who use lesbian, gay, bisexual, transgender (LGBT) and queer spiritual and religious imagery.
Traditional and alternative saints, martyrs, mystics, prophets, witnesses, heroes, holy people, humanitarians, deities and religious figures of special interest to lesbian, gay, bisexual and transgender (LGBT) and queer people and our allies are covered in the GLBT Saints series by Kittredge Cherry.
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Jesus in Love Blog on LGBT spirituality and the arts