Showing posts with label spirituality. Show all posts
Showing posts with label spirituality. Show all posts

Thursday, October 03, 2013

New info on Francis of Assisi’s queer side revealed


Historical records reveal a queer side to Saint Francis of Assisi, one of the most beloved religious figures of all time. The 13th-century friar is celebrated for loving animals, hugging lepers, and praying for peace, but few know about his love for another man and his gender nonconformity. His feast day is today (Oct. 4).

For a new version of this article, click this link to Qspirit.net:
Francis of Assisi: Queer side revealed for saint who loved creation, peace and the poor


Francis is “a uniquely gender-bending historic figure” according to Franciscan scholar Kevin Elphick He has spent years researching the queer side of Saint Francis, including travel to to the Italian town of Assisi. There he photographed artwork depicting the man he believes may have been the saint’s beloved soulmate: Brother Elias of Cortona.

Brother Elias (center) at the Baptismal font where St. Francis was christened in the Cathedral of San Rufino in Assisi, Italy. (Photo by Kevin Elphick)

When Francis (1181-1226) was a young man, he had an unnamed male companion whom he dearly loved -- and who was written out of history after the first biography. Other Franciscan friars referred to Francis as “Mother” during his lifetime. He encouraged his friars to be mothers to each other when in hermitage together, and used other gender-bending metaphors to describe the spiritual life. He experienced a vision of an all-female Trinity, who in turn saluted him as “Lady Poverty,” a title that he welcomed.

The earliest companion of Francis, a man whom Francis “loved more than any other because he was the same age” and because of “the great familiarity of their mutual affection” remains nameless. Elphick's research suggests that the unnamed soulmate of Saint Francis was Brother Elias of Cortona. Francis called Elias “Mother” and gave him a special blessing. Elias expressed much concern about Francis’ body and his health. Francis and Elias each describe the other in affectionate terms. However, very quickly after Francis died, Elias is written out of history and discredited. Elphick presents the scholarly evidence about their relationship in the detailed article at the Jesus in Love Blog: “Brother Elias: Soulmate to Saint Francis of Assisi?

Lady Jacoba
also known as
Brother Jacoba
(See full image below)

Francis allowed a widow to enter the male-only cloister, naming her “Brother Jacoba.” (Details about Jacoba are at the end of this article.) His partner in ministry was a woman, Clare of Assisi, and he cut her hair in a man’s tonsured style when she joined his male-only religious order.

Early evidence of these and other ways that Francis crossed gender boundaries are gathered in the ground-breaking unpublished master’s thesis “Gender Liminality in the Franciscan Sources” by Elphick, who is both a Franciscan scholar and a supervisor on a suicide prevention hotline in New York. He wrote the thesis for a master’s degree in Franciscan studies from St. Bonaventure University in New York.

Francis’ love for another man is described in his earliest biography, The First Life of St Francis of Assisi by Thomas of Celano, a follower of Francis who knew him personally. The biography was completed by 1230, just four years after Francis died. Celano says that when Francis was in his 20s, before embracing a life of poverty, he dearly loved a special male friend:

“Now there was a man in the city of Assisi whom Francis loved more than any other, and since they were of the same age and their constant association and ties of affection emboldened Francis to share his secret with him, he would often take this friend off to secluded spots where they could discuss private matters and tell him that he had chanced upon a great and precious treasure. His friend was delighted and, intrigued by what he had heard, he gladly accompanied Francis wherever he asked. There was a cave near Assisi where the two friends often went to talk about this treasure.”

In his thesis, Elphick points out, “Because homosexuality and ‘gay’ identities are modern constructs, it is impossible and inaccurate to attempt to read these modern categories into the personalities of historical figures.” Instead he uses the word “homoaffectional” to describe the relationship of Francis and his beloved companion.

“The relationship is inescapably homoaffectional, describing a shared intimacy between two Medieval men. That this first companion disappears from the later tradition is cause for suspicion and further inquiry.... The tone in Celano’s earliest account captures the flavor and intimacy of this relationship, perhaps too much so for an increasingly homophobic church and society.”

Francis and his beloved friend are seldom depicted by artists, but they are shown together in the rare and hard-to-find image above: “They shelter in a cave” (Se cobijan en una cueva) by Spanish painter José Benlliure y Gil. It is the 8th in his series of 74 images from the life of Saint Francis. The series was published by Franciscans in Valencia, Spain, in 1926 in a book to mark the 700th anniversary of the saint’s death. A commentary in Spanish about the picture is available online.

Elphick finds many more examples of what he calls “gender liminality” in historical documents on Francis. He defines liminality as “crossing the threshold of gender, either symbolically, or by actions within a person’s life that breach the social boundaries of gender.”

Francis was born to a wealthy Italian family in 1181 or 1182. As a young man he renounced his wealth, even stripping off his clothes, and devoted himself to a life of poverty in the service of Christ. He connected with nature, calling all animals “brother” and “sister” and celebrating them in his famous Canticle of the Sun.

“St. Francis ‘Neath the Bitter Tree”
By William Hart McNichols ©
He saw the face of Christ in lepers, the most reviled outcasts of his time, and nursed them with compassion.  William Hart McNichols puts Francis’ ministry into a contemporary context by showing him embracing a gay Jesus with AIDS in “St. Francis ‘Neath the Bitter Tree,” pictured here. Words on the cross proclaim that Christ is an “AIDS leper” as well as a “drug user” and “homosexual,” outcast groups at high risk for getting AIDS. The two men gaze intently at each other with unspeakable love as Francis hugs the wounded Christ. It was commissioned in 1991 by a New Jersey doctor who worked with AIDS patients, and is discussed in the book Art That Dares: Gay Jesus, Woman Christ, and More by Kittredge Cherry.

McNichols created the icon in his own style based on a 1668 painting by Spanish painter Bartolome Esteban Murillo, which was surely inspired by the more passionate 1620 version of fellow Spaniard Francisco Ribalta. In Ribalta’s work (pictured below), Christ responds to St. Francis’ ecstatic kiss by giving the saint his crown of thorns, the symbol of suffering that leads to divine union.

“Saint Francis Embracing Christ” by Francisco Ribalta (Wikimedia Commons)

“St. Francis and the Sultan”
by Brother Robert Lentz, trinitstores.com
A famous peace prayer is attributed to St. Francis. It begins, “God, make me an instrument of your peace.” Late in his life Francis embodied this message through man-to-man Christian-Muslim dialogue in the Mideast, a region where people are still at war.

In 1219 Francis went to Damietta, Egypt, with the European armies during the Fifth Crusade. He hoped to discuss religion peacefully with the Muslims. He tried to prevent Crusaders from attacking Muslims at the Battle of Damietta, but he failed. Francis was captured and taken to the sultan Malek al-Kamil. At first they tried to convert each other, but each man soon recognized that the other already knew and loved God. They remained together, discussing spirituality, for about three weeks between Sept. 1 and Sept. 26. Robert Lentz celebrates their meeting as a model of interfaith dialogue in the icon “St. Francis and the Sultan,” pictured here.

“St Francis of Assisi Receiving the Stigmata”
by Kevin Raye Larson © 1991
In 1224, when Francis was in his 40s, he received the stigmata -- marks like the crucifixion wounds of Christ in his hands, feet and side. California artist Kevin Raye Larson emphasizes the sensuality of the ecstatic moment in “St Francis of Assisi Receiving the Stigmata,” pictured here. The painting has appeared on the cover of the spirituality issue of “Frontiers,” the Los Angeles gay lifestyle magazine.

Along with the stigmata came other health problems. When Francis sensed death approaching, he called for Jacoba de Settesoli, a Roman noblewoman devoted to him and his teachings. Francis stayed in her house when in Rome.  Celano’s 13th-century account in the “Treatise on the Miracles of Blessed Francis” reports that Francis greeted the news of her arrival at the male-only cloister with a decidedly queer statement that breaks gender rules::

“Blessed be God, who has guided the Lady Jacoba, our brother, to us. Open the door and bring her in, for our Brother Jacoba does not have to observe the decree against women.”

The widow called “Brother Jacoba” by Francis kneels near the dying Francis of Assisi in “48. Jacoba of Settesoli is associated with the mourning” (Jacoba de Settesoli se asocia al duelo) by José Benlliure y Gil, 1926 (Wikimedia Commons)

Francis died a few days later on Oct. 3, 1226. Two years after Francis’ death, Pope Gregory IX declared him a saint and commissioned Celano’s biography, the one that includes the love between Francis and his male companion.

Elphick adds an intriguing footnote about how the queer side of Francis has manifested outside official Christianity. Francis is venerated in the Yoruba religion of Africa as Orunmila, the orisha of wisdom, patron of animals and a transgendered deity who engages in same-sex eroticism.

At the end of his thesis, Elphick concludes that breaking gender rules is an extraordinary God-given power or “charism” that Franciscans offer to the church and the world.

“What are the lives of figures like Mother Francis, Brother Jacoba and Mother Juana de la Cruz revealing to us in our own day? I think that the Franciscan charism of gender liminality has much to teach our Church and fellow community of humans in our day. In a church divided over issues of ordination of women, inclusive language, and sexual orientation, I believe that the Franciscan tradition has important figures to hold up and from whom to learn. For issues which we have not even yet begun to explore theologically in authentic ways, issues such as hermaphroditism, transsexuality, genderedness and sexual orientation, I believe the Franciscan voice can be prophetic.”

“Saint Francis in Ecstasy” by Caravaggio (Wikimedia Commons)
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Related links:
"The Message of St. Francis" by Kevin C. A. Elphick (The Empty Closet)

To read this post in Spanish / en español, go to Santos Queer:
San Francisco de Asís: La evidencia histórica revela su lado gay

Animal blessing events are happening all over the world this month for the Feast of St. Francis, the patron saint of animals. Click here for animal blessing prayer by Kittredge Cherry.

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Top image credit: Francis of Assisi and the man he loved in “They Shelter in a Cave” by José ___Benlliure y Gil, 1926 (Wikimedia Commons)

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This post is part of the LGBTQ Saints series by Kittredge Cherry. Traditional and alternative saints, people in the Bible, LGBTQ martyrs, authors, theologians, religious leaders, artists, deities and other figures of special interest to lesbian, gay, bisexual and transgender and queer (LGBTQ) people and our allies are covered.

Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.

Innovative icons of St. Francis and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at Trinity Stores



Saturday, September 21, 2013

Henri Nouwen: Priest and author who struggled with his homosexuality


Henri J. M. Nouwen was a Catholic priest and bestselling author who wrestled with his own homosexuality. He died on Sept. 21, 1996.

Nouwen (1932-1996) remains one of the most popular and influential modern spiritual writers. He wrote more than 40 books, including The Wounded Healer, The Return of the Prodigal Son, and The Inner Voice of Love.

For a new version of this article, click this link to Qspirit.net:
Henri Nouwen: Priest and author who struggled with his homosexuality


Known as a “gay celibate, he probably would have had mixed feelings about being included in this series on LGBT Saints. Nouwen never directly discussed his gay sexual orientation in his published writings, but he confided his conflict over it in private journals and conversations. These are documented in his outstanding and honest 2002 biography Wounded Prophet by Michael Ford. Despite his loneliness and same-sex attractions, there is no evidence that Nouwen ever broke his vow of celibacy.

His personal struggle with his sexual orientation may have added depth to his writing. “The greatest trap in our life is not success, popularity or power, but self-rejection,” he said.

Although Nouwen is not an officially recognized saint, his “spirituality of the heart” has touched millions of readers. Nouwen’s books have sold more than 2 million copies in over 22 languages. He emphasized relationships and social justice with core values of solitude, community and compassion.

Nouwen was born in Holland on Jan. 24, 1932. He was ordained as a Roman Catholic priest in 1957 and went on to study psychology. He taught at several theological institutes in his homeland and in the United States, including the divinity schools at Harvard and Yale.

In 1985 he began service in Toronto, Canada, as the priest at the L’Arche Daybreak Community, where people with developmental disabilities live with assistants. It became Nouwen’s home until his sudden death in 1996 at age 64. He died from a heart attack while traveling to Russia to do a documentary.

The video below shows Nouwen speaking on "Being the Beloved" at the Crystal Cathedral in California in 1992. One of the  newest books about him is the 2012 biography “Genius Born of Anguish: The Life and Legacy of Henri Nouwen” by Michael Higgins, Nouwen’s official biographer.

The icon of Nouwen at the top of this post was painted by Brother Robert Lentz, a Franciscan friar known for his innovative and LGBT-positive icons. During his lifetime Nouwen commissioned Lentz to make an icon for him that symbolized the act of offering his own sexuality and affection to Christ.

Christ the Bridegroom
by Robert Lentz
trinitystores.com
Research and reflection led Lentz to paint “Christ the Bridegroom” (left) for Nouwen in 1983. It shows Christ being embraced by his beloved disciple, based on an icon from medieval Crete. “Henri used it to come to grips with his own homosexuality,” Lentz explained in my book “Art That Dares,” which includes this icon and the story behind it. “I was told he carried it with him everywhere and it was one of the most precious things in his life.”

Lentz’s icon / portrait the top of this post shows Nouwen in an open-handed pose. It calls to mind a prayer written by Nouwen in The Only Necessary Thing: Living a Prayerful Life:

Dear God,
I am so afraid to open my clenched fists!
Who will I be when I have nothing left to hold on to?
Who will I be when I stand before you with empty hands?
Please help me to gradually open my hands
and to discover that I am not what I own,
but what you want to give me.

Nouwen gave the gift of his spiritual vision to generations of readers. He encouraged each individual to find their own mission in life with words such as these:

“When the imitation of Christ does not mean to live a life like Christ, but to live your life as authentically as Christ lived his, then there are many ways and forms in which a man can be a Christian.” -- from "The Wounded Healer"

“My hope is that the description of God's love in my life will give you the freedom and the courage to discover . . . God's love in yours.” -- from “Here and Now: Living in the Spirit


To watch the rest of the sermon, visit the following YouTube page with links to all 8 parts of Nouwen’s sermon on “Being the Beloved”:
http://www.youtube.com/user/belovedson12

A book “The Spiritual Life: Eight Essential Titles by Henri Nouwen” was published in 2016. It includes Intimacy, A Letter of, Consolation, Letters to Marc About Jesus, The Living Reminder, Making All Things New, Our Greatest Gift, Way of the Heart, and Gracias.

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Related links:
Henri Nouwen Society

Henri's Wound with a View” by Chris Glaser

Chris Glaser on Henri Nouwen’s sexuality (Huffington Post)

Henri Nouwen, on Andrew Sullivan and the “Blessing” of Homosexuality (Queering the Church)

Top image credit:
“Henri Nouwen” by Br. Robert Lentz, trinitystores.com

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Icons of Henri Nouwen, Christ the Bridegroom and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at TrinityStores.com



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This post is part of the LGBTQ Saints series by Kittredge Cherry. Traditional and alternative saints, people in the Bible, LGBTQ martyrs, authors, theologians, religious leaders, artists, deities and other figures of special interest to lesbian, gay, bisexual and transgender and queer (LGBTQ) people and our allies are covered.

Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.

Saturday, July 06, 2013

Queer religious art resource list: Buddhism, Hinduism, Islam, Judaism, Paganism

A rainbow of religious symbols: Latin Cross, Star of David, Omkar (Aum), Star and Crescent, Cross Pattée, Yin/Yang, Khanda (Sikh), Ayyavazhi, Triple Goddess (Diane de Poitiers). Artist Andrew Craig Williams worked his queer rainbow magic on an image from Wikimedia Commons.

Queer religious art resources from Buddhism, Hinduism, Islam, Judaism, and Paganism are listed today on the Jesus in Love Blog.

The list provides dozens of links to art created throughout human history, from ancient cave paintings to the most contemporary images of today. It includes Asian, African / African-American, Australian, Celtic, Latina/o, Native American and more.

Usually LGBT Christian art is focus here, but today the attention shifts to other religions and spiritual traditions. The Jesus in Love Blog affirms the value of all faiths. The list is just an introduction to an enormous subject, so please leave comments with more suggestions.

This list took on a life of its own while I was researching it. One artist led to another and another. The lines between religions began to blur and overlap because cross-fertilization occurs between different traditions. Therefore some Christian art is included if it is expressed in a queer interfaith context.

Special thanks to Hugo Cordova Quero, adjunct faculty at Starr King School for the Ministry at the Graduate Theological Union in Berkeley, CA. This list was sparked by his request for help finding queer religious art to use when he teaches an online course on Queer Studies from a Multireligious Perspective in fall 2013.

Christian scriptures on interfaith religious tolerance are relatively rare, but many Bible verses do command people to love and care for strangers. In Acts 10:34-35 Peter said, “Truly I perceive that God shows no partiality, but in every nation anyone who fears God and does what is right is acceptable to God.”

Overview
LGBT themes in mythology and religion (Wikipedia)

LGBTQ Spirituality at Qualia Encyclopedia of Gay Folklife

LGBTQ Religion at Qualia Encyclopedia of Gay Folklife

Queer Spirituality Around the World (compiled by Marilyn Roxie)


Queer Buddhism
Kuan Yin: A queer Buddhist Christ figure (Jesus in Love)

Gay spirituality author Toby Johnson discusses Kuan Yin (or Avalokiteshvara in Sanskrit) as an androgynous figure who embodies compassion in his articles “Bodhisattva Avalokiteshvara” and “Avalokiteshvara at the Baths.”

Vietnamese-born lesbian artist Hanh Thi Pham refashions Buddhist imagery and precepts in her installation “Lesbian Precepts.”  More info and images:
http://cepagallery.org/exhibitions/relocatingasia/AS03.site/AS03.06.pham.1.html

Kukai (774–835), also known as Kōbō-Daishi, is a monk who founded Shingon Buddhism in Japan. He is one of Japan’s most beloved Buddhist figures, credited with everything from inventing the kana alphabet to introducing homosexuality to Japan. Kukai is shown with his male lover among the falling cherry blossoms in “Kukai” by Ryan Grant Long. It appears near the bottom of this article:
Artist paints history’s gay couples: Interview with Ryan Grant Long (Jesus in Love)


Queer Judaism
Elisabeth Ohlson Wallin’s “Jerusalem” photos draw attention to the Christian, Jewish and Muslim scriptures that threaten queer people. See:
http://jesusinlove.blogspot.com/2010/11/religious-threats-to-lgbt-people.html

Photos of LGBT seders and/or pride minion such as this one:
http://jesusinlove.blogspot.com/2011/12/happy-hanukkah-from-jesus-in-love-blog.html


Queer Islam
Rumi is a 13th-century Persian poet and Muslim mystic whose love for another man inspired some of the world’s best poems and led to the creation of a new religious order, the whirling dervishes. See:
Rumi: Poet and Sufi mystic inspired by same-sex love (Jesus in Love)

Sultan Malek al-Kamil captured St. Francis of Assisi on a trip to Egypt. At first they tried to convert each other, but each man soon recognized that the other already knew and loved God. Francis stayed for almost three weeks discussing spirituality with the sultan and his Sufi teacher Fakhr ad-din al-Farisi. Artist Robert Lentz celebrates the meeting of Islamic and Christian leaders as a model of interfaith dialogue in the icon “St. Francis and the Sultan” at these links:
St. Francis: Loving across boundaries (Jesus in Love)

“St. Francis and the Sultan” with narrative by Robert Lentz (Trinity Stores)

Gay Mohammad images were censored in 2008 from a Dutch art exhibit. Iranian-born artist Sooreh Hera was forced into hiding by death threats from Muslim extremists. She says that her images are an artistic expose of Islamic hypocrisy on homosexuality. More info:
Gay Mohammad art censored (Jesus in Love)

Elisabeth Ohlson Wallin’s “Jerusalem” photos draw attention to the Christian, Jewish and Muslim scriptures that threaten queer people. See:
http://jesusinlove.blogspot.com/2010/11/religious-threats-to-lgbt-people.html


Queer Hinduism
Many Hindu saints and deities transcend sexual and gender norms. Perhaps the most popular is Ardhanarishvara, who appears literally split down the middle as half male and half female. Get info and see images at these links:
Ardhanari at Qualia Encyclopedia of Gay Folklife:
http://www.qualiafolk.com/2011/12/08/ardhanari/

Ardhanarisvara at Wikipedia:
http://en.wikipedia.org/wiki/Ardhanarisvara

“Hindu Deities and the Third Sex” by Amara Das Wilhelm provides lots of info and images of Hindu deities, demi-gods and saints who embody the full spectrum of gender and sexual diversity, including but not limited to LGBT, queer and “third sex.” See it at the Gay and Lesbian Vaishnava Association website:
http://www.galva108.org/deities.html

The GALVA web article comes from the book “Tritiya-Prakriti: People of the Third Sex: Understanding Homosexuality, Transgender Identity, And Intersex Conditions Through Hinduism” by Amara Das Wilhelm.

Images of same-sex affection between Hindu deities and Christ (including “Jesus and Lord Rama” by Alex Donis) appear in:
What if Christ and Krishna made love? (Jesus in Love)


Queer Paganism and other spiritualities
(including Native American, Indigenous, African / African-American, Latina/o, Asian and other spiritualities)

We'wha of Zuni: Two-spirit Native American bridged genders (Jesus in Love)

Queer Lady of Guadalupe: Artists reimagine an icon (Jesus in Love)
Art by Alma Lopez links Guadalupe to the Aztec mother goddess Tonantzin. Lopez has also done a painting of the Virgin of Guadalupe as Coyolxauhqui, the Aztec moon goddess who has been interpreted as a lesbian deity.

Aztec god Xochipilli is the patron of gay men:
http://en.wikipedia.org/wiki/Xochipilli

Haitian Vodou has many spirits that can be considered LGBT, queer, androgynous, dual-gendered, gender-fluid or otherwise queer. For example, Erzulie Dantor is the patron spirit for lesbians and is associated with the Black Madonna. Her more feminine sister Erzulie Freda protects and inspires gay men.
http://commons.wikimedia.org/wiki/File:DANTOR.jpg
(Note: I am working on an in-depth article about Erzulie Dantor and the Black Madonna. Suggestions welcome!)

Brigid and Darlughdach: Celtic saint loved her female soulmate (Jesus in Love)
Raised by Druids, Saint Brigid seems to have made a smooth transition from being a pagan priestess to a Christian abbess who loved another woman.

Welsh mythology includes a gender-bending queer shamanic story of incest, rape and shape-shifting with brothers Gwydion and Gilfaethwy. Their queer adventures are included in the Mabinogion, a collection of ancient Welsh myths and legends. Artist Andrew Craig Williams has illustrated, adapted, and reclaimed their story from a contemporary queer perspective:
http://www.behance.net/gallery/Blodeuben/292695
(The image of Gwydion and Gilfaethwy near the bottom was created this week specifically for inclusion on this links list.  Thanks, Andy!)

The Rabbit God from Chinese folk spirituality is considered the patron deity of the LGBT community. Info and images at Qualia Encyclopedia of Gay Folklife:
http://www.qualiafolk.com/2011/12/08/rabbit-god-temple/

Mary, Diana and Artemis: Feast of Assumption has lesbian goddess roots (Jesus in Love)
A mid-August holiday was once the festival of the Greek/Roman lesbian goddess Diana (Artemis), but it has been adapted into a feast day for the Virgin Mary.

Greek mythology has a wide variety of same-sex lovers, including Zeus and Ganymede,
Apollo and Hyacinth, and Dionysus and Ampelus. Get info and see images at:
LGBT themes in classical mythology (Wikipedia)
http://en.wikipedia.org/wiki/LGBT_themes_in_classical_mythology

http://www.gay-art-history.org/gay-history/gay-literature/gay-mythology-folktales/homosexual-greek-mythology/homosexual-greek-mythology.html

Antinous, the young male lover of the Roman emperor Hadrian (AD 76-138), was deified after drowning in the Nile and honored with many statues, which are displayed online at:
http://www.antinoos.info

Lesbian Neopagan / Wiccan spirituality is often expressed in reverence for nature and the Divine Feminine, which is embodied in goddesses. Lesbians often connect with art that has a strong female, feminist or goddess emphasis rather than specifically lesbian content. For example, multicultural goddesses and imagined saints are illustrated by Sudie Rakusin, who has created art for various lesbian projects.  See her art at: http://sudierakusin.com/ Marie Cartier is a scholar, visual/performance artist, queer activist, writer and theologian whose visual art includes goddess imagery. Her website is: http://www.mariecartier.com/

Guide to women’s Tarot cards and decks:
http://www.aeclectic.net/tarot/cards/women.shtml

Pagan artist Paul B. Rucker discusses his painting “Androgyne” in his essay “People of the Rainbow: Transgender in Magick and Ritual”:
http://paulruckerart.wordpress.com/essaysarticleshybrids/people-of-the-rainbow/

Stevee Postman mixes images from nature, mythology, Neopagan and Radical Faerie culture to create images with mystical homoerotic energy:
http://stevee.com/

Guide to Tarot cards and decks that accommodate or celebrate LGBT or alternative sexual orientations:
http://www.aeclectic.net/tarot/cards/gay-lesbian.shtml

French artists and lovers Pierre et Gilles (Pierre and Gilles) create hand-painted photos of deities and saints from various religions as well as pop icons and figures from gay culture:
http://www.denoirmont.com/artist-pierre-et-gilles-galerie-jerome-de-noirmont.html

Australian Aboriginal spiritualities include an androgynous creator god known as the Rainbow Serpent, one of the oldest continuing religious beliefs in the world. Rock drawings of the Rainbow Serpent date back 6,000 years. The Rainbow Serpent connects with the symbolism of the LGBT rainbow flag. Image and info at:
http://en.wikipedia.org/wiki/Rainbow_serpent

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Special thanks to Yvonne Aburrow, N.E. Francis and P. Sufenas Virius Lupus for pagan art recommendations.

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This post is part of the Artists series by Kittredge Cherry at the Jesus in Love Blog. The series profiles artists who use lesbian, gay, bisexual, transgender (LGBT) and queer spiritual and religious imagery.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

Sunday, January 06, 2013

Epiphany: Queer eye for the Magi

“Epiphany” by Janet McKenzie, copyright 2003.
www.janetmckenzie.com
Collection of Barbara Marian, Harvard, IL

Reimagining the three kings as queer or female gives fresh meaning to Epiphany, a holiday celebrating the visit of the Magi to the infant Jesus. It is observed on Jan. 6.

The word “epiphany” also refers to a sudden, intuitive perception. By looking at the Bible and church history from a LGBT viewpoint, people can experience new insights -- their own personal “epiphanies” of understanding. New interpretations of the wise ones known as the Magi include:
  • Queer Magi. LGBT church leaders suggest that the Magi were eunuchs -- people who today would be called gay, queer or transgender.
  • Female Magi appear in a controversial painting by Janet McKenzie. Epiphany is also known as Women’s Christmas.
  • Queer gifts are presented to the Christ child in an icon by William Hart McNichols.

For a new version of this article, click this link to Qspirit.net:
Queer Epiphany: Three kings or three queens?


Queer Magi
Although they are often called the “three kings,” the Magi stand in contrast to worldly King Herod who sought world domination by massacring the “holy innocents” who might grow up to take his throne. The wise Magi who followed the star to find the newborn Jesus were wizards who provide a higher wisdom and astrologists with expertise in cosmic balance.

The Magi played the shamanic role often filled by eunuchs, an ancient term for LGBT people, says Nancy Wilson in her book Outing the Bible: Queer Folks, God, Jesus, and the Christian Scriptures.” She writes:

“They were Zoroastrian priests, astrologers, magicians, ancient shamans from the courts of ancient Persia. They were the equivalent of Merlin of Britain. They were sorcerers, high-ranking officials, but not kings—definitely not kings. But quite possibly, they were queens. We’ve always pictured them with elaborate, exotic, unusual clothing—quite festive, highly decorated and accessorized! …Also, the wise eunuchs, shamans, holy men were the only ones who had the forethought to go shopping before they visited the baby Jesus!

They also have shamanistic dreams. They deceive evil King Herod and actually play the precise role that many other prominent eunuchs play in the Bible: they rescue the prophet, this time the Messiah of God, and foil the evil royal plot against God’s anointed.”

The concept of the queer Magi is amplified by Virginia Ramey Mollenkott, author of Omnigender. “My guess is that they were people who today would be termed transwomen,” she writes in the brochure “Gender Identity and Our Faith Communities.”

Eunuchs and cross-dressers were surprisingly common in the Mediterranean world of the Bible and later. By happy coincidence, a cross-dressing saint happens to have a feast day on Jan. 5, the day before Epiphany. Apollinaria of Egypt, put on men’s clothing and presented herself as a eunuch named Dorotheos in order to live as a monk.

Three stylish Magi wear fabulous outfits on a 1972 German Christmas stamp (Wikimedia Commons)

Female Magi
Female Magi have been envisioned by artists in a gender-bending move that sometimes causes controversy. Epiphany itself is celebrated as “Women’s Christmas” (Nollaig na mBan) in Ireland, where men assume the household duties for the day so women can celebrate together at the end of the holiday season.

A multi-racial trio of female Magi visits the baby Jesus and his mother in “Epiphany” by Vermont artist Janet McKenzie. Instead of the traditional three kings or three wise men, the artist re-interprets the Magi as wise women from around the world.

Jan Richardson, an artist and Methodist minister in Florida, also portrays the Magi as women of different races in “Wise Women Also Came,” an image that appears on the cover of her book “Sacred Journeys: A Woman's Book of Daily Prayer.”

The unconventional portrayal of the Magi makes good theological sense. Barbara Marian, who commissioned the McKenzie painting, explains: “The story of the Magi in the Gospel of Matthew allowed the Jewish followers of Jesus to imagine the unthinkable -- God’s grace extending to the outsiders, the gentiles. Who are the outsiders in our world? Can we imagine the favor of God extending beyond the human boundaries of race, class, nationality, ethnicity, religious devotion, and gender?”

Marian commissioned “Epiphany” for the Nativity Project, which revisits and revitalizes the Gospel with new images of women. “It’s easy to get so caught up in regal images of Matthew’s night visitors that we miss the core message -- Christ for all people,” Marian says.

Conservative Christians protested against the inclusive “Epiphany” in 2007 when it appeared on the Christmas cards of the Most Reverend Katharine Jefferts Schori, presiding bishop of the Episcopal Church.

The Standing Committee of the Episcopal Diocese of Ft. Worth, Texas, sent a notice to clergy and 2007 convention delegates condemning Jefferts Schori for her choice of art. “Happy Multicultural Feminist Celebration Day,” sneered the headline of a traditional Anglican blog where nearly 100 comments were posted condemning the image as “stupid,” “faux-nouveau hipster theology” and worse. For more info, see my previous post Conservatives blast inclusive Christmas card.

McKenzie denies the accusations that she is trying to be divisive and rewrite scripture. “Of course this is as far from my thinking as possible,” she says. “I feel called to create sacred and secular art that includes and celebrates those systematically ignored, relegated and minimized, and for the most part that is women and people of color.”

The artist continues to be amazed that her loving images provoke so much anger. “Even this gentle image of a loving Holy Mother and Child, with no agenda except to include and honor us as the nurturing feminine beings we are, surrounded in community with other women, is still misunderstood -- even at this late date,” she says.

McKenzie has weathered even bigger storms before. Her androgynous African American “Jesus of the People” painting caused international controversy when Sister Wendy of PBS chose it to represent Christ in the new millennium.

Critics focus on the content of McKenzie’s art, but her outstanding artistic style is one reason that her work attracts attention. The Vermont artist uses drawing and line with oils to build images that glow. Her painting technique and pastel colors are reminiscent of American Impressionist Mary Cassatt, who is famous for painting intimate scenes of mothers and their children.

The controversy over McKenzie’s work is a reminder of the power of art, and the continuing need for progressive spiritual images. Opposition seems to fuel her passion to paint. “We all need to find ourselves included within the sacred journey of life, and afterlife,” McKenzie says. “I have been surprised to find archaic and out-dated hate still in place, still alive and well and fueled by fear, in response to some of my art. I have made the decision to respond to such hate not in the way it comes to me, but by creating ever more inclusive art that confronts prejudice and hate. The only path open to any of us is the one of love.”

McKenzie’s art is featured in my book “Art That Dares: Gay Jesus, Woman Christ, and More” and her book “Holiness and the Feminine Spirit.”

(Special thanks to Barbara Marian for permission to quote from her article “Recasting the Magi.”)


“The Epiphany: Wisemen Bring Gifts to the Child”

Queer gifts

Father William Hart McNichols paints another kind of queer Epiphany. McNichols is a New Mexico artist and Roman Catholic priest whose gay-positive icons have caused controversy. He worked at an AIDS hospice in New York City from 1983-90, when many in the gay community were dying of the disease. During that period he painted “The Epiphany: Wisemen Bring Gifts to the Child.”

St. Francis and St. Aloysius are the wise men visiting the baby Jesus in this icon.  Instead of the usual gold, frankincense and myrrh, the “gifts” they bring to the Christ child are people with AIDS, perhaps gay men. The baby Jesus reaches eagerly to receive these gifts. The child and his mother appear in a form popular in Mexico and other Latino cultures as Our Lady of Guadalupe and El Santo Niño de Atocha. The halo around them echoes the colors of the rainbow flag of the LGBT community. McNichols offers a prayer with this icon:

Dearest Mary, Our Lady of Guadalupe,
Mother of the poor and the oppressed,
we watch full of reverence
and joy as St. Francis and
St. Aloysius bring the gifts of
these two people afflicted with AIDS
to the Holy Child in your arms,
who is so eager to receive them.
Teach us to find and embrace
your Son Jesus in all peoples,
but most especially those who
are in greatest need and
who suffer most.
Amen

In closing, the question arises: What gifts are queer people bringing today to Christ, the church and the world?
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Related links:

LGBTQ Nativity 4: Queer Magi visit Mary, Josephine and Jesus

Nursing Madonna honors body, spirit and women

“Wise Women Also Came” and Women’s Christmas by Jan Richardson

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This post is part of the LGBT Calendar series by Kittredge Cherry at the Jesus in Love Blog. The series celebrates religious and spiritual holidays, holy days, feast days, festivals, anniversaries, liturgical seasons and other occasions of special interest to LGBT and queer people of faith and our allies.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts





Tuesday, December 04, 2012

Divine lesbians show we are all holy: Art by Verlena Johnson

“Inside Out” by Verlena Johnson, 2006. Acrylic, 40" x 30"

Lesbians in church and in touch with their own spiritual power stand out in the paintings of Los Angeles artist Verlena Johnson. Many wear halos to show their divinity.

“I believe part of my purpose is to remind myself and others that we are all divine,” Johnson said. She is an African American (biracial) lesbian artist who paints spiritual portraits, primarily women with halos. They gaze into the viewer’s eyes like the saints in Byzantine icons.

“One could say all of them are lesbians (although there are no visible markers of this, e.g. labrys, two women in an intimate embrace, etc.), as many of them to varying degrees are self portraits or in some way represent me. In fact, many of my portraits are self-portraits and I am an out lesbian,” she explained.

With verve and versatility, Johnson gives visual form to her unique fusion of mysticism, spirituality, feminism, queer theory and popular culture.

She explores the role of LGBT people in the church with “Inside Out,” pictured above. A woman gazes out at the viewer, stone-faced, with the rest of the church far behind her. A rainbow earring symbolizes her lesbian sexual orientation. The minister raises his arm while the choir and congregation are watching her. She appears to be emotionally and physically distant from the congregation. Her halo is almost invisible. The spiritual lesbian is in the church, but not of the church.

A stained-glass window of Mary with white skin dominates the worship space of the black congregation pictured in “Inside Out.” Not only does this church deny LGBT people, but members aren’t fully embracing their own ethnic identity either. The lesbian has dark skin but her eyes are blue and her hair color is light, making her an outsider on race as well as sexual orientation.

Johnson recalled that when she painted “Inside Out,” she was reflecting on the various ways that LGBT people are “out” or “closeted” in churches.

“I was also thinking about how many church communities to varying degrees embrace their LGBT members and how this conditional and limited acceptance emotionally and psychologically affects LGBT people,” she said. “What does it mean to be an outside member of a community? What does it mean to quietly listen to various church leaders and members express their homophobic views, specifically that homosexuality is an abomination? How do LGBT people reconcile these views from their church community and how do they know and experience true love?”

Sinister Wisdom
cover by Verlena Johnson
Born and raised in the Midwest, Johnson earned a master’s degree in Afro-American studies (art history, 1996) from the University of Wisconsin - Madison and a master of fine arts degree from the School of the Art Institute of Chicago (sculpture, 2001). Her work has been exhibited at galleries in New York, Los Angeles, Chicago and other cities. A wide variety of publications have featured her art, including the Journal of Lesbian Studies and Sinister Wisdom, the oldest surviving lesbian literary journal.

“I Am” by Verlena Johnson, 2006. Acrylic, 36" x 36"

One of Johnson’s most powerful self-portraits is a titled simply “I Am.” An androgynous, brown-skinned figure stares boldly into the eyes of the viewer. Her golden halo glows within a circular mosaic of lavender. The title echoes the name of God in the Hebrew scriptures. When Moses asked the burning bush to reveal God’s name, the answer was: “I am that I am.”

“I believe the ‘I am’ statement is very powerful and acknowledging my own divinity in this way reinforces this knowing,” Johnson said.

“Spiral Woman” by Verlena Johnson, 2001. Acrylic,32" x 20"

Once again a holy lesbian gazes out at the viewer in Johnson's “Spiral Woman,” but this time she is surrounded with spirals. A black bird sits at her side. “This divine being depicted is shown with a faint halo,” Johnson explained. “Spirals for me represent infinity and change and in the case of the dual spiral emanating from her chest, LOVE. “

“Spirit Love” by Verlena Johnson, 2006. Mixed media with acrylic, 24" x 36"

The halo is particularly prominent in Johnson's symmetrical self-portrait titled “Spirit Love.” “I have taken the halo as a symbol found in early European and North and East African paintings and used them to more generally symbolize divinity and our connectedness with the Universe (or Love),” she said.

“Untitled” by Verlena Johsnon, 2012. Mixed media, 17” X 24”

Johnson’s currently evolving series of spiritual portraits include untitled painting above. “The paintings are connected thematically and represent various degrees of sadness and serenity, as well as, emotion generally,” she said. “I am thinking SO much these days about the issue of divinity, perfection, and how to reconcile what we think we know about ourselves and the world around us and what we KNOW (on a Spirit level).”

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Related link:
Artist’s website: www.verlenajohnson.com

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This post is part of the Artists series by Kittredge Cherry at the Jesus in Love Blog. The series profiles artists who use lesbian, gay, bisexual, transgender (LGBT) and queer spiritual and religious imagery.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts

Sunday, December 02, 2012

Advent: Queer face of God revealed

“Rainbow Mysteries" photo by Kittredge Cherry

Today marks the first day of Advent, a time of expectant waiting for Christ’s birth. Advent celebrates the mystery of the Word made flesh -- an important concept in queer spirituality.

“This Advent I am reflecting on what it might mean for us as LGBTIQ people to give birth to, and to reveal to the world, the Queer Face of God in our time, and in our culture,” spirituality author Michael Bernard Kelly told the Jesus in Love Blog. He is the author of "The Erotic Contemplative" video/lecture series and Seduced by Grace: Contemporary Spirituality, Gay Experience and Christian Faith.

Kelly will lead an Advent retreat for gay men Dec. 7-9 at Easton Mountain, an interfaith, gay spiritual retreat center in upstate New York. As he was preparing for the retreat, he offered these Advent reflections for readers of the Jesus in Love Blog:

Can we have the trust, the surrender and the courage of Mary, carrying the Divine Word within us in silence and hope, waiting for Divine Love to gestate in our hearts, allowing our bodies, our souls and our life journeys to birth grace for the world? Just as the body of Mary gave flesh, blood and bone to Incarnation of God growing within her, can we, in every choice we make, in every word we say, in every act we perform, and in the surrender of our very selves, give flesh and blood to God’s Word of justice, of inclusion, of embodied joy, and of queer holiness? Can our queer lives become the very revelation of God’s love in our time?

This is the mystery and challenge of Advent – and the great wonder is, this is not a mighty, exhausting project that we have to plan and execute. Rather, this is all about allowing ourselves to become pregnant with God, saying the radical “Yes” that will allow the Holy Spirit to do her own work within us, and trusting utterly that love is always born, moment by moment and breath by breath, in the most unlikely of places and in the most hidden of hearts. May we feel the Divine seed stir within us this Advent and may we rejoice with the queerest joy, as Christ is born for us, through us, within us, and as us.

Another queer way to celebrate Advent is offered by Chris Glaser, a gay Christian minister, activist and author of LGBT spirituality books including Coming Out to God: Prayers for Lesbians and Gay Men, Their Families and Friends. Here is an excerpt from his “Rite for Advent,” published in Equal Rites: Lesbian and Gay Worship, Ceremonies, and Celebrations:

One: The closet may be a fertile place:
creativity bursts out of a lonely hell,
and from a closet fertilized with hope,
the spirit leaps from a monastic cell.

Many: Those born in darkness
have seen life.

One: Out of dark soil sprouts new life,
from darkness springs embodied hope.
Both stretch for the illumination
of the cosmic landscape.

Many: Those born in darkness
have seen life.

One: Dear God,

Many: We seek your Word embodied
in life rooted in fertile darkness.
In life stretching for illumination,
we await your transforming Word.


For more info on the Advent retreat for gay men, visit Easton Mountain Retreat Center (www.eastonmountain.org).
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This post is part of the LGBT Holidays series by Kittredge Cherry at the Jesus in Love Blog. The series celebrates religious and spiritual holidays, holy days, feast days, festivals, anniversaries, liturgical seasons and other occasions of special interest to LGBT and queer people of faith and our allies.

Copyright © Kittredge Cherry. All rights reserved.
http://www.jesusinlove.blogspot.com/
Jesus in Love Blog on LGBT spirituality and the arts



Thursday, November 29, 2012

Tuesday, November 20, 2012

Transgender Day of Remembrance: Nov. 20, 2012



For a new version of this article, click

Qspirit.net:
Transgender Day of Remembrance: Spiritual resources

Thursday, October 04, 2012

Francis of Assisi’s queer side revealed by historical evidence


Historical records reveal a queer side to Saint Francis of Assisi, one of the most beloved religious figures of all time. The 13th-century friar is celebrated for loving animals, hugging lepers, and praying for peace, but few know about his love for another man and his gender nonconformity. His feast day is today (Oct. 4).

For a new version of this article, click this link to Qspirit.net:
Francis of Assisi: Queer side revealed for saint who loved creation, peace and the poor


Francis is “a uniquely gender-bending historic figure” according to Franciscan scholar Kevin Elphick He has spent years researching the queer side of Saint Francis, including travel to to the Italian town of Assisi. There he photographed artwork depicting the man he believes may have been the saint’s beloved soulmate: Brother Elias of Cortona.

Brother Elias (center) at the Baptismal font where St. Francis was christened in the Cathedral of San Rufino in Assisi, Italy. (Photo by Kevin Elphick)

When Francis (1181-1226) was a young man, he had an unnamed male companion whom he dearly loved -- and who was written out of history after the first biography. Other Franciscan friars referred to Francis as “Mother” during his lifetime. He encouraged his friars to be mothers to each other when in hermitage together, and used other gender-bending metaphors to describe the spiritual life. He experienced a vision of an all-female Trinity, who in turn saluted him as “Lady Poverty,” a title that he welcomed.

The earliest companion of Francis, a man whom Francis “loved more than any other because he was the same age” and because of “the great familiarity of their mutual affection” remains nameless. Elphick's research suggests that the unnamed soulmate of Saint Francis was Brother Elias of Cortona. Francis called Elias “Mother” and gave him a special blessing. Elias expressed much concern about Francis’ body and his health. Francis and Elias each describe the other in affectionate terms. However, very quickly after Francis died, Elias is written out of history and discredited. Elphick presents the scholarly evidence about their relationship in the detailed article at the Jesus in Love Blog: “Brother Elias: Soulmate to Saint Francis of Assisi?

Lady Jacoba
also known as
Brother Jacoba
(See full image below)

Francis allowed a widow to enter the male-only cloister, naming her “Brother Jacoba.” (Details about Jacoba are at the end of this article.) His partner in ministry was a woman, Clare of Assisi, and he cut her hair in a man’s tonsured style when she joined his male-only religious order.

Early evidence of these and other ways that Francis crossed gender boundaries are gathered in the ground-breaking unpublished master’s thesis “Gender Liminality in the Franciscan Sources” by Elphick, who is both a Franciscan scholar and a supervisor on a suicide prevention hotline in New York. He wrote the thesis for a master’s degree in Franciscan studies from St. Bonaventure University in New York.

Francis’ love for another man is described in his earliest biography, The First Life of St Francis of Assisi by Thomas of Celano, a follower of Francis who knew him personally. The biography was completed by 1230, just four years after Francis died. Celano says that when Francis was in his 20s, before embracing a life of poverty, he dearly loved a special male friend:

“Now there was a man in the city of Assisi whom Francis loved more than any other, and since they were of the same age and their constant association and ties of affection emboldened Francis to share his secret with him, he would often take this friend off to secluded spots where they could discuss private matters and tell him that he had chanced upon a great and precious treasure. His friend was delighted and, intrigued by what he had heard, he gladly accompanied Francis wherever he asked. There was a cave near Assisi where the two friends often went to talk about this treasure.”

In his thesis, Elphick points out, “Because homosexuality and ‘gay’ identities are modern constructs, it is impossible and inaccurate to attempt to read these modern categories into the personalities of historical figures.” Instead he uses the word “homoaffectional” to describe the relationship of Francis and his beloved companion.

“The relationship is inescapably homoaffectional, describing a shared intimacy between two Medieval men. That this first companion disappears from the later tradition is cause for suspicion and further inquiry.... The tone in Celano’s earliest account captures the flavor and intimacy of this relationship, perhaps too much so for an increasingly homophobic church and society.”

Francis and his beloved friend are seldom depicted by artists, but they are shown together in the rare and hard-to-find image above: “They shelter in a cave” (Se cobijan en una cueva) by Spanish painter José Benlliure y Gil. It is the 8th in his series of 74 images from the life of Saint Francis. The series was published by Franciscans in Valencia, Spain, in 1926 in a book to mark the 700th anniversary of the saint’s death. A commentary in Spanish about the picture is available online.

Elphick finds many more examples of what he calls “gender liminality” in historical documents on Francis. He defines liminality as “crossing the threshold of gender, either symbolically, or by actions within a person’s life that breach the social boundaries of gender.”

Francis was born to a wealthy Italian family in 1181 or 1182. As a young man he renounced his wealth, even stripping off his clothes, and devoted himself to a life of poverty in the service of Christ. He connected with nature, calling all animals “brother” and “sister” and celebrating them in his famous Canticle of the Sun.

“St. Francis ‘Neath the Bitter Tree”
By William Hart McNichols ©
He saw the face of Christ in lepers, the most reviled outcasts of his time, and nursed them with compassion.  William Hart McNichols puts Francis’ ministry into a contemporary context by showing him embracing a gay Jesus with AIDS in “St. Francis ‘Neath the Bitter Tree,” pictured here. Words on the cross proclaim that Christ is an “AIDS leper” as well as a “drug user” and “homosexual,” outcast groups at high risk for getting AIDS. The two men gaze intently at each other with unspeakable love as Francis hugs the wounded Christ. It was commissioned in 1991 by a New Jersey doctor who worked with AIDS patients, and is discussed in the book Art That Dares: Gay Jesus, Woman Christ, and More by Kittredge Cherry.

McNichols created the icon in his own style based on a 1668 painting by Spanish painter Bartolome Esteban Murillo, which was surely inspired by the more passionate 1620 version of fellow Spaniard Francisco Ribalta. In Ribalta’s work (pictured below), Christ responds to St. Francis’ ecstatic kiss by giving the saint his crown of thorns, the symbol of suffering that leads to divine union.

“Saint Francis Embracing Christ” by Francisco Ribalta (Wikimedia Commons)

“St. Francis and the Sultan”
by Brother Robert Lentz, trinitstores.com
A famous peace prayer is attributed to St. Francis. It begins, “God, make me an instrument of your peace.” Late in his life Francis embodied this message through man-to-man Christian-Muslim dialogue in the Mideast, a region where people are still at war.

In 1219 Francis went to Damietta, Egypt, with the European armies during the Fifth Crusade. He hoped to discuss religion peacefully with the Muslims. He tried to prevent Crusaders from attacking Muslims at the Battle of Damietta, but he failed. Francis was captured and taken to the sultan Malek al-Kamil. At first they tried to convert each other, but each man soon recognized that the other already knew and loved God. They remained together, discussing spirituality, for about three weeks between Sept. 1 and Sept. 26. Robert Lentz celebrates their meeting as a model of interfaith dialogue in the icon “St. Francis and the Sultan,” pictured here.

“St Francis of Assisi Receiving the Stigmata”
by Kevin Raye Larson © 1991
In 1224, when Francis was in his 40s, he received the stigmata -- marks like the crucifixion wounds of Christ in his hands, feet and side. California artist Kevin Raye Larson emphasizes the sensuality of the ecstatic moment in “St Francis of Assisi Receiving the Stigmata,” pictured here. The painting has appeared on the cover of the spirituality issue of “Frontiers,” the Los Angeles gay lifestyle magazine.

Along with the stigmata came other health problems. When Francis sensed death approaching, he called for Jacoba de Settesoli, a Roman noblewoman devoted to him and his teachings. Francis stayed in her house when in Rome.  Celano’s 13th-century account in the “Treatise on the Miracles of Blessed Francis” reports that Francis greeted the news of her arrival at the male-only cloister with a decidedly queer statement that breaks gender rules::

“Blessed be God, who has guided the Lady Jacoba, our brother, to us. Open the door and bring her in, for our Brother Jacoba does not have to observe the decree against women.”

The widow called “Brother Jacoba” by Francis kneels near the dying Francis of Assisi in “48. Jacoba of Settesoli is associated with the mourning” (Jacoba de Settesoli se asocia al duelo) by José Benlliure y Gil, 1926 (Wikimedia Commons)

Francis died a few days later on Oct. 3, 1226. Two years after Francis’ death, Pope Gregory IX declared him a saint and commissioned Celano’s biography, the one that includes the love between Francis and his male companion.

Elphick adds an intriguing footnote about how the queer side of Francis has manifested outside official Christianity. Francis is venerated in the Yoruba religion of Africa as Orunmila, the orisha of wisdom, patron of animals and a transgendered deity who engages in same-sex eroticism.

At the end of his thesis, Elphick concludes that breaking gender rules is an extraordinary God-given power or “charism” that Franciscans offer to the church and the world.

“What are the lives of figures like Mother Francis, Brother Jacoba and Mother Juana de la Cruz revealing to us in our own day? I think that the Franciscan charism of gender liminality has much to teach our Church and fellow community of humans in our day. In a church divided over issues of ordination of women, inclusive language, and sexual orientation, I believe that the Franciscan tradition has important figures to hold up and from whom to learn. For issues which we have not even yet begun to explore theologically in authentic ways, issues such as hermaphroditism, transsexuality, genderedness and sexual orientation, I believe the Franciscan voice can be prophetic.”

“Saint Francis in Ecstasy” by Caravaggio (Wikimedia Commons)
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Related links:
"The Message of St. Francis" by Kevin C. A. Elphick (The Empty Closet)

To read this post in Spanish / en español, go to Santos Queer:
San Francisco de Asís: La evidencia histórica revela su lado gay

Animal blessing events are happening all over the world this month for the Feast of St. Francis, the patron saint of animals. Click here for animal blessing prayer by Kittredge Cherry.

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Top image credit: Francis of Assisi and the man he loved in “They Shelter in a Cave” by José ___Benlliure y Gil, 1926 (Wikimedia Commons)

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This post is part of the LGBTQ Saints series by Kittredge Cherry. Traditional and alternative saints, people in the Bible, LGBTQ martyrs, authors, theologians, religious leaders, artists, deities and other figures of special interest to lesbian, gay, bisexual and transgender and queer (LGBTQ) people and our allies are covered.

Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.

Innovative icons of St. Francis and many others are available on cards, plaques, T-shirts, mugs, candles, mugs, and more at Trinity Stores